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2003-2004 Exhibition Schedule

September 6 - October 4, 2003
Atteqa Ali, independent curator, PhD candidate, Austin, Texas
Playing with a Loaded Gun: Contemporary Art in Pakistan features work by artists who explore the dichotomy of life in Pakistan, taking the nation's most difficult social, cultural, and political issues and examining them in beautiful and playful artworks. Artists: Imran Qureshi, Saira Wasim, Rashid Rana, Reeta Saeed, Alia Hasan-Khan, Ambreen Butt, Risham Syed, Hasnat Mehmood.
[Selected from apexart Unsolicited Proposal Program]

October 11 - November 8, 2003
Pablo León de la Barra, artist and curator, London
To be Political it has to Look Nice presents a series of intersections and distinctions in current contemporary cultural production from Latin America. The exhibition does not seek to represent a totality of artists, but rather looks at and liberates stereoptypes of Latin American art. Artists: B-Lo, Stefan Brüggemann, El Chino Ediciones, Eduardo Consuegra, Day to Day, Galeria Chilena, Mauricio Guillen, Helena Producciones, Larregui-Laguerre, Olho Sao Paulo, Papi Paga Productions, Sebastian Ramirez, Pedro Reyes, Los Super Elegantes, Javier Tellez, El Vicio and others.

November 12 - December 20, 2003
What, How and for Whom, curatorial collective, Zagreb, Croatia (Ana Devic, Natasa Ilic, Sabina Sabolovic and Ivet Curlin)
Looking Awry deals with aspects of repetition, re-actualization, re-staging and re-enactments (as a form of change and a source of knowledge), in relation to both history and contemporary political investments of everyday life and popular culture. The accent is on repetitive and performative elements and re-enactments are not based on sheer automatism of repetition and appropriation, but on the potential of re-actualizing certain actions, performed with minimal and inevitable shifts. Artists: Igor Grubic (Croatia), Adrian Paci (Albania), Maja Bajevic (Bosnia and Herzegovina), and Aydan Murtezaoglu (Turkey).

January 7 - February 7, 2004
Craig Buckley, independent curator, NY
While architecture and planning have often been privileged as sites for utopian projection, the potential of small scale adaptations has remained largely overlooked. Adaptations looks at small-scale forms of independence and the context in which they have emerged in order to get a better sense of the potentialities they hold and the limits they encounter. Artists and collectives: Kim Adams (Toronto), The Arnait Video Collective (Igloolik, Canada), Gardar Eide Einarsson (Berlin), Nils Norman (London), Ocean Earth (New York), Michael Rakowitz (New York), Raqs Media Collective (Delhi), Stealth Group (Rotterdam/Belgrade), Oscar Tuazon and Dick Fishbeck (New York)
[Selected from apexart Unsolicited Proposal Program]

February 11 - March 13, 2004
Janine Antoni, artist, NY
Treasure Maps is an exhibition of images that represent visual language in its broadest sense. Highly specialized technical illustrations (DNA extraction, matrix and vector space) will appear alongside ambiguous drawing-like records of physical movement, allowing us to explore, and in many cases invent, the internal logic of each image.

March 17 - April 17, 2004
Stephen Wright, International Editor, Parachute magazine, Paris, France
The Use Value of Art Today: The future of the reciprocal readymade and other art-related practice. Anyone who really believes that art, in any conventional sense of the term, by "questioning", "investigating" or otherwise "depicting" some socio-political issue, actually empowers anyone to do anything about it, is actively engaged in self-delusion. Yet art continues to make such promises – using its institutions to lend them not only a largely unchallenged semblance of truth but the all trustworthiness of convention – only to immediately break them. Artists and collectives: Bureau d’études, ®™ark, AAA.Corp, Stalker

April 21 - May 22, 2004
Black Dragon Society, Los Angeles, CA

May 26 - June 26, 2004
Peter Noever, Director, MAK Center for Art, Vienna, Austria
O.K., America! aims to initiate a process of reflection on the ambivalent meaning of the "fingerprint" as a symbol of modern society. The featured artists articulate their position between the contrasting poles of control and surveillance, identity and the freedom of artistic expression. With artists and collectives: Kendell Geers, Elke Krystufek, Raymond Pettibon, Oscar Muñoz, Luo Brothers, Rosangela Renno, Daniele Buetti, Ghazel, Jelena Kowylina, Escape Group, and The Blue Noses Group.

June 30 - July 31, 2004
2004 Summer Program - An invited writer, Cay Sophie Rabinowitz, Senior US Editor, Parkett Publishers, New York, has selected two gallerists - Henry Urbach, New York and Brian Butler, Los Angeles - to each choose two artists whom they do not represent for a group exhibition, with the writer contributing a text.
Henry Urbach has selected Paul de Guzman and Wade Guyton.
Brain Butler has selected Efrat Shvily and Liliana Moro.


2006-2007 season
2005-2006 season
2004-2005 season
2003-2004 season
2002-2003 season
2001-2002 season
2000-2001 season
1999-2000 season
1998-1999 season
Gallery Hours: Tuesday-Saturday 11-6 pm
exhibition brochures available upon request