September 7 - October 15, 2005
The Art of 9/11
curated by Arthur C. Danto (philosopher and art critic, NYC)
Danto presents nine artistic responses to the 9/11 attacks as individual “acts of piety,” to show how art actually embodies grief, and how it serves with religion and philosophy as a moment in Absolute Spirit.
Artists: Audrey Flack, Leslie King-Hammond, Jeffrey Lohn, Mary Miss, Lucio Pozzi, Ursula Von Rydingsvard, Cindy Sherman, Barbara Westman, Robert Rahway Zakanitch
Wed, Sept 21, 6:30 pm: Curator talk by Arthur C. Danto
October 19 - November 26, 2005
If
It's Too Bad to be True, It Could Be ‘'Disinformation'
curated by Mercedes Vicente (Curator, Govett-Brewster Art Gallery, New Plymouth, New Zealand)
Exploring the complex relationship between mass media and global corporate culture, artists use the strategies of grassroots activism (installation, poster, video, radio, and internet.art) to demand freedom of information rights and bring forward what is being omitted.
Artists: Paul Chan, Marcelo Exposito, Tetsuo Kogawa, Julia
Meltzer and David Thorne, neuroTransmitter, Martha Rosler,
The Yes
Men,
0100101110101101.ORG
[Selected through apexart Unsolicited Proposal Program]
Wed, Oct 26, 6: 30 pm: Mercedes Vicente in conversation
with Yates McKee (writer/curator, NYC)
November 30 - January 7, 2006
The Last Generation
curated by Max Henry (art critic and curator, NYC)
Examines mechanical reproduction and seemingly “"analog" approaches
to art-making in our contemporary "digital" world.
Artists: Kota Ezawa, Malachi Farrell, Wayne Gonzales,
Emilie Halpern, Jan Mancuska, Laurent Montaron, Scott Myles,
Anne Mie Van Kerckhoven
January 11 - February 18, 2006
One Brief Moment
curated by Mark Soo (independent curator, Vancouver)
Four artists attempt to make observations and conclusions based on an examination of apexart’s exhibitions archives (1994-present), creating work that incorporates speculation and interprets new institutional histories.
[Selected through apexart Unsolicited Proposal Program]
February 22 - April 1, 2006
Neo-Sincerity: The Difference Between the Comic and the Cosmic Is a Single Letter
curated by Amei Wallach (art critic, NYC)
Approaching black comedy as social protest and profundity, “"Neo-Sincerity"”takes
its title from a phrase coined by artist Art Spiegelman to
describe his antic attack on the primal, universal and unpalatable.
April 12 - May 20, 2006
Re_dis_trans--Voltage of Relocation and Displacement
curated by Aniko Erdosi (independent curator, Budapest, Hungary)
Work that explores the act of relocation and displacement, issues questions of loss and gain, and engages the construction of personal and social memory.
Artists: Big Hope (Miklos Erhardt and Dominic Hislop), Sonja Feldmeier, Szabolcs Kisspal, Moshekwa Langa, Little Warsaw (Balint Havas and Andras Galik), Myrna Maakron, Katarina Sevic,Wang Jian-Wei
[Selected by Ivan Bojar (Editor-in-Chief, Ocotogon Magazine, Budapest) for the International Program]
May 24 - July 1, 2006
Sweet Taboos: The Tirana Biennial in New York
curated by Edi Muka (Co-Curator, Tirana Biennial, Tirana, Albania)
Bringing the Biennial to the curators, this effort explores the taboos of present-day Albanian society.
Artists: Sejla Kameric, Suela Qoshja, Joana Rytel, Ingrid
Mwangi, Armand Lulja, Adel Abdessemed, Ivan Grubano.
July 5- August 12, 2006
Gifts go in one direction
curated by Alexander Nagel (writer and art historian, Toronto)
How do the two terms, art and gift, define each other? This
summer’s exhibition results from putting that question
to a number of artists and non-artists: Eric Walker, Eliza
Griffiths, Julie Voyce, Stephen Andrews, Paul P., Glenn Ligon,
Byron
Kim, Paul Ramirez Jonas, Harrell Fletcher, Harriet Sigal,
Lisa Sigal, Amy Sillman, Eric Banks, Jutta Koether, Richard
Phillips, Inez van Lamsweerde and Vinoodh Matadin
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