apexart :: Occupational Hazards


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apexart :: Occupational Hazards :: Images

Images for Occupational Hazards
organized by Alexandra Stock
on view June 9 - July 6, 2019 in NYC

Click on thumbnail to download high resolution file.
All images courtesy apexart, unless otherwise noted.

Install Images

Occupational Hazards, installation view.	Aissa Deebi, This is how I saw Gaza, 2017, installation view.	Ahmad Hammoud, Passport for the Stateless, 2016, installation view.
Occupational Hazards, installation view.	Occupational Hazards, installation view.	Occupational Hazards, installation view.
Yassin Mohamed, The Swing, 2018, installation view.	Khaled Hourani, Picasso in Palestine, 2009-11, installation view.	Huda Lutfi, Contextual Adaptations, 2019, installation view.
Karin Sander, Mailed Painting, Cairo - New York, 2019, installation view.	Karin Sander, Mailed Painting 104, Sharjah - München - Berlin - Siegen - Berlin - Madrid - München - Berlin - Hong Kong - Berlin, 2009; Karin Sander, Mailed Painting, Cairo - New York, 2019, installation view.	Amir Farhad, Untitled from the Alfiya and Salfiya Series, 2008; William Andersen & Maryam Hosseinnia,كفن shroud 裹屍布, 2019, installation view.
Occupational Hazards, installation view.	Negar Tahsili, B+, 2008, installation view.	Reference book: Hatim Elmekki, Hatim Elmekki, ou, La tentation de Peche? (Tunis: Ceres Productions, 1980); Mohamed Ben Soltane, Contre l’Oubli (Hommage é El Mekki), 2019, installation view.
Mohamed Ben Soltane, Contre l’Oubli (Hommage é El Mekki), 2019, installation view.	Shuruq Harb, The Keeper, 2019, installation view.	Huda Lutfi, Tahrir Portraits, 2013, installation view; Walead Beshty, FedEx® Medium Kraft Box ©2004 FEDEX 155143 REV 10/04 BP, Standard Overnight, Los Angeles–New York trk#770242668938, June 9–10, 2014, Standard Overnight, New York–North Adams trk#776019136922, April 5–6, 2016, Standard Overnight, North Adams–New York trk#778247726640, January 23–24, 2017, 2014--, installation view, Reference book: Hatim Elmekki, Hatim Elmekki, ou, La tentation de Peche? (Tunis: Ceres Productions, 1980).
Walead Beshty, FedEx® Medium Kraft Box ©2004 FEDEX 155143 REV 10/04 BP, Standard Overnight, Los Angeles–New York trk#770242668938, June 9–10, 2014, Standard Overnight, New York–North Adams trk#776019136922, April 5–6, 2016, Standard Overnight, North Adams–New York trk#778247726640, January 23–24, 2017, 2014--, installation view.	Carol Mather, Mermaid, 1992, installation view.	Huda Lutfi, Tahrir Portraits, 2013, installation view.

Brochure Images

William Andersen & Maryam Hosseinnia, كفن shroud 裹屍布, 2019, Lightweight textile, 98.4 x 29.5 in	Mohamed Ben Soltane, Contre l’Oubli (Hommage é El Mekki), 2019, Framed mosaic tile on wood, 8.5 x 11 in (each piece)	Walead Beshty, FedEx® Medium Kraft Box ©2004 FEDEX 155143 REV 10/04 BP
Aissa Deebi, This is How I Saw Gaza, 2017, Paint on six unstretched canvases, 19.7 x 27.5 in (each)	Ahmad Hammoud, Passport for the Stateless, 2016, Color-printed paper booklet, 4.9 × 3.5 in	Shuruq Harb, Collection, 2013, Digital image, Dimensions variable
Shuruq Harb, The Keeper, 2013, Digital video, 5:45 min (still)	Khaled Hourani, Picasso in Palestine, 2009-11, Digital print, 39.4 x 47.2 in	Huda Lutfi, Carpet of Remembrance, 2003, Installation with shoe forms and mirror, Dimensions variable
Huda Lutfi, Tahrir Portraits, 2013, Installation with acrylic paint and photo collage on wood, 15.7 in diameter (each), Installation dimensions variable	Carol Mather, Mermaid, 1992, Brass and enamel brooch, 8.5 in wide	Karin Sander, Mailed Painting 104, Sharjah - München - Berlin - Siegen - Berlin - Madrid - München - Berlin - Hong Kong - Berlin, 2009, Stretched canvas in standard size, white universal primer, 15.7 x 19.7 x 1.6 in
Negar Tahsili, B+, 2008, Ink, color pencil, and blood on paper, 8.5 x 11 in	Negar Tahsili, B+, 2008, Ink, color pencil, and blood on paper, 8.5 x 11 in	Yassin Mohamed, Self Portrait, 2018, Ball point pen on paper, 8.3 x 11.7 in
Yassin Mohamed, The Swing, 2018, Ink and color pencil on paper, 8.3 x 11.7 in

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