INTL Open Call 2020-21 Proposal Ranking
Thank you for participating in the 2020-21 INTL Open Call. We received 400 eligible proposals from 76 countries, which were voted on by an international panel of over 500 jurors. Jurors were asked to read at least 50 anonymous proposals. Over 20,000 votes were cast to determine the winning proposals. Below is a ranking of all submitted proposals in order of highest total score. Proposals with the same total score share place positions and are ranked with the same number.
The four highest ranking proposals were submitted by: Matthew Terrell (Nancy Pelosi’s Living Room, San Francisco, 1986), Andreas Templin and Raimar Stange (Goodbye, World), Mizuho Yamazaki, Virginia Liu, & Rin Aonami (Ownness), and Creative Association of Curators TOK (Voicing the silence). The International Open Call accepts ideas for group exhibitions to be presented in their respective proposed cities around the world. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
| Rank | ID | Score | Title |
|---|---|---|---|
| 1 | 97 | 3.7875 | Nancy Pelosi's Living Room, San Francisco, 1986 |
| 2 | 183 | 3.775 | Goodbye, World |
| 3 | 268 | 3.7468 | Ownness |
| 4 | 326 | 3.725 | Voicing the silence |
| 5 | 43 | 3.6962 | “Can you fuck it?” — The Fem-bot Phenomenon |
| 6 | 106 | 3.6456 | A Haunted Present |
| 6 | 262 | 3.6456 | GO STRAIGHT UNTIL YOU FIND THE SEA |
| 7 | 372 | 3.6329 | Black Leisure & Legacy with some Cellulite |
| 8 | 121 | 3.625 | Am I Superwoman? |
| 8 | 203 | 3.625 | Bodies Never Lie: A Story of Diaspora, Rage, and Queer Love in Paris's Age of Disco |
| 9 | 66 | 3.6125 | Nurturers and the Nurtured |
| 10 | 266 | 3.6 | Other Uses for (An)Other |
| 11 | 182 | 3.5625 | Elixir Vitae |
| 11 | 194 | 3.5625 | Symbiotic: An Ecology of Caribbean Women |
| 11 | 311 | 3.5625 | Quote–Unquote |
| 12 | 175 | 3.55 | Contagion Fear |
| 13 | 302 | 3.5443 | Nuff Respect |
| 14 | 92 | 3.5375 | Third Sex |
| 14 | 369 | 3.5375 | The ocean is also a border |
| 14 | 383 | 3.5375 | Black People Still Live here |
| 15 | 329 | 3.5309 | WHY SO SYRIAN ? On War, Exile and Irony |
| 16 | 218 | 3.5125 | Immersion: Inside Out |
| 17 | 76 | 3.5 | Till We Meet Again |
| 17 | 227 | 3.5 | We are safe inside while they burn down our house |
| 17 | 294 | 3.5 | SHUT UP AND DIE |
| 17 | 393 | 3.5 | SOUNDTRCK- BIOTOPE |
| 18 | 122 | 3.4875 | The Concentration Camp Exhibition |
| 18 | 197 | 3.4875 | I forgot my (m)other tongue |
| 18 | 381 | 3.4875 | As the World Turns |
| 19 | 119 | 3.475 | Poetry is not a Luxury |
| 19 | 177 | 3.475 | OUTSIDER BUT DIGNA: CUIR PERFORMANCE ART IN LATIN AMERICA. |
| 19 | 209 | 3.475 | Photographic Itinerancy |
| 20 | 51 | 3.4625 | Witnessing the ghosts of Syria's war - as visions of change. |
| 21 | 305 | 3.45 | Abject: Food in Chinese Art |
| 22 | 275 | 3.4375 | non-identity: we are not yet |
| 23 | 349 | 3.4304 | Dont Touch Me |
| 24 | 86 | 3.425 | Guest Rooms |
| 24 | 132 | 3.425 | Begin the Symbiocene |
| 24 | 193 | 3.425 | Mary's HotHouse |
| 24 | 205 | 3.425 | Sleeping is for Losers |
| 24 | 365 | 3.425 | Null |
| 25 | 107 | 3.4125 | Deep fakes: a very real illusion |
| 26 | 42 | 3.4 | Catastrophe Carnivale |
| 26 | 109 | 3.4 | Museum of Oil |
| 26 | 168 | 3.4 | The Other Other |
| 26 | 186 | 3.4 | Information Wants To Be Free |
| 27 | 139 | 3.3875 | Diasporic Dysplasia |
| 27 | 327 | 3.3875 | Diasporic Delight |
| 27 | 362 | 3.3875 | Imagine New Monuments |
| 28 | 245 | 3.3797 | The STI (Successfully Transmitted Identity) Clinic |
| 29 | 220 | 3.375 | We Eat the Smile and Spit Out the Teeth |
| 29 | 231 | 3.375 | Freedom in Confinement |
| 29 | 283 | 3.375 | GUT FEELING |
| 30 | 204 | 3.3704 | Kumon-shitsu or Anguish House |
| 31 | 37 | 3.3625 | (w)hole |
| 31 | 198 | 3.3625 | The Bridge |
| 31 | 240 | 3.3625 | Betting against the crisis. Rethinking the imaginary of money, power and modernity in Venezuela trou |
| 32 | 44 | 3.35 | Muted Tongues |
| 32 | 96 | 3.35 | Flesh and Stone |
| 32 | 202 | 3.35 | Three artists interact and respond to Los Angeles' Skid Row. |
| 32 | 248 | 3.35 | Toxic M.A.S.K.ulin - the cultural practice of defective masculinity |
| 32 | 318 | 3.35 | IN(EX)HALE |
| 32 | 385 | 3.35 | Reconnect: Women of the Diaspora Return |
| 33 | 89 | 3.3418 | The bad girls of history |
| 33 | 258 | 3.3418 | Fault Lines |
| 34 | 93 | 3.3375 | Equilibrium |
| 34 | 137 | 3.3375 | Ultimatum |
| 34 | 146 | 3.3375 | It shoots further than we dream |
| 34 | 208 | 3.3375 | River of Dreams |
| 34 | 210 | 3.3375 | Harkat Mela |
| 34 | 221 | 3.3375 | Where have All the Fireflies Gone? |
| 34 | 321 | 3.3375 | INSIDE/OUTSIDE |
| 35 | 200 | 3.3291 | Traces of Garden |
| 36 | 81 | 3.325 | Blood Sister |
| 37 | 345 | 3.3125 | She's a Knockout |
| 37 | 375 | 3.3125 | Smoke Signals |
| 38 | 206 | 3.3 | Urban Re-Formation - Perspectives on a Changing City |
| 38 | 286 | 3.3 | KNITTING THE GENEALOGIES OF MORE THAN ONE VOICE |
| 38 | 335 | 3.3 | Unlearning Capitalism |
| 38 | 376 | 3.3 | The Death of Planetary Reason |
| 39 | 136 | 3.2875 | States of Belief |
| 39 | 277 | 3.2875 | Arriba la Banda |
| 39 | 289 | 3.2875 | Revisiting Paradise |
| 39 | 356 | 3.2875 | The PLÁTANO Curtain |
| 40 | 52 | 3.275 | The Home Atelier |
| 40 | 116 | 3.275 | THE SUN KISSING THE EARTH AND US |
| 40 | 164 | 3.275 | Backway route, what happens now? |
| 40 | 167 | 3.275 | One way ashore, a thousand channels (from Poetics of Relation, Glissant) |
| 40 | 319 | 3.275 | Manoeuvre through the Future: Ethical Energy |
| 41 | 142 | 3.2625 | Daughters Of Anacaona |
| 41 | 307 | 3.2625 | Daphne, The Malta Journalist |
| 41 | 348 | 3.2625 | Kinshasa, L'Impossible: Architecture in motion |
| 41 | 391 | 3.2625 | KILL THE PATRIARCHY TO BE A MAN |
| 41 | 399 | 3.2625 | Cooking For The Apocalypse |
| 42 | 25 | 3.2532 | Safe, between the covers (?) |
| 42 | 241 | 3.2532 | THE FANTASTICAL COMMUNITY |
| 43 | 24 | 3.25 | I want to fuck you up |
| 43 | 63 | 3.25 | Rebirth |
| 43 | 95 | 3.25 | The lesser known stories |
| 43 | 144 | 3.25 | See and Shame |
| 43 | 217 | 3.25 | Who Cares about Cammo? |
| 44 | 72 | 3.2469 | UNCERTAIN FUTURES |
| 45 | 9 | 3.2375 | A City You Have Never Been There Before! |
| 45 | 104 | 3.2375 | Pacing, Sensing the River |
| 45 | 235 | 3.2375 | Memory and Desire |
| 45 | 322 | 3.2375 | Infinite Fun Space: Biometric Uncertainty & The End of Approximation |
| 46 | 64 | 3.2278 | Harbour for Action and Research at Sea |
| 47 | 99 | 3.225 | South American Ruinology: Unstable Machines |
| 48 | 108 | 3.225 | Be Water |
| 48 | 195 | 3.225 | Optimism is a Weapon: If All Else Fails, Be Silly |
| 48 | 317 | 3.225 | Adventures in Outer Space: the New Cosmists |
| 49 | 75 | 3.2125 | Witch Hunt: Bodies in Resistance |
| 50 | 192 | 3.2 | Dreams of the white Earth in the Far North of Russia: Taimyr and Kola peninsula |
| 50 | 222 | 3.2 | Exposing Motherhood |
| 50 | 276 | 3.2 | Here to There |
| 51 | 20 | 3.1875 | São Paulo: the city beyond - the spaces constructed by women |
| 51 | 29 | 3.1875 | 2020: I Can See Clearly Now |
| 51 | 34 | 3.1875 | STIMMING |
| 51 | 156 | 3.1875 | Bodies in Action |
| 51 | 271 | 3.1875 | Artefacts of Guilt |
| 51 | 280 | 3.1875 | Was not. Were not. Are |
| 52 | 296 | 3.1772 | RE USED TRAUMA |
| 53 | 8 | 3.175 | Studies on African Textiles, SAT* |
| 53 | 157 | 3.175 | (Distant) Divides |
| 53 | 340 | 3.175 | It is in the waters and in the woods where I make my home for resistance (É NAS ÁGUAS E NAS MATAS |
| 53 | 374 | 3.175 | #YO MARCHO #POR LA VIDA (#I March #For Life) |
| 53 | 387 | 3.175 | The Pain and Pleasure Show |
| 53 | 396 | 3.175 | Phum to Phnom Penh and Back Again |
| 54 | 260 | 3.1646 | Ψ, the Wave Function of Light |
| 55 | 30 | 3.1625 | THE SEARCH FOR PLEASURE |
| 55 | 77 | 3.1625 | Deconstruction of Industrial Maritime Edifices |
| 55 | 213 | 3.1625 | Divining el mundo zurdo |
| 56 | 339 | 3.1519 | MILK:KIN |
| 57 | 113 | 3.15 | Dance of Resistance |
| 57 | 130 | 3.15 | Father as a Pretext |
| 57 | 185 | 3.15 | The Promise of Tomorrow |
| 57 | 238 | 3.15 | Terraforma |
| 57 | 252 | 3.15 | Careers In Clothing |
| 57 | 284 | 3.15 | Kalunga Grande |
| 57 | 293 | 3.15 | Constructing and deconstructing echoes |
| 57 | 171 | 3.15 | Zero weight |
| 58 | 346 | 3.1392 | Speak Up: The War Against Gender |
| 59 | 384 | 3.1375 | Beautiful Bantu Revived |
| 60 | 158 | 3.125 | Censorscapes |
| 60 | 251 | 3.125 | She |
| 60 | 308 | 3.125 | Community building through public art |
| 61 | 191 | 3.1235 | The World Without Us |
| 62 | 341 | 3.1125 | Amplification for Solidarity of the Muted Refusals |
| 62 | 395 | 3.1125 | Curiouser! A cabinet of curiosities |
| 63 | 232 | 3.1 | Resounding |
| 64 | 181 | 3.0986 | PRIDE and PAIN: Contemporary Identities in the American West |
| 64 | 190 | 3.0986 | The Empire Strikes Back |
| 64 | 263 | 3.0986 | Sensoring Eyes. Physical Experiences in the Virtual Space (working title) |
| 64 | 355 | 3.0986 | Santuário dos Pajés (Sanctuary of the Shamans) |
| 64 | 380 | 3.0986 | ART(I)SANS |
| 64 | 389 | 3.0986 | Maharlika (A Whole New World) |
| 65 | 62 | 3.0959 | Blasts Cries Laughter |
| 65 | 225 | 3.0959 | Modernism, However' |
| 66 | 228 | 3.0946 | Cross-borders |
| 67 | 342 | 3.0921 | Mediated Reality: An Archival Engine of Virus |
| 68 | 54 | 3.0857 | Blue-Collar Jobs and the Iron Laws |
| 68 | 78 | 3.0857 | Who I am in the digital (tbc) |
| 68 | 100 | 3.0857 | #Feesmustfall Exhibition |
| 68 | 313 | 3.0857 | The Golood Project |
| 69 | 353 | 3.0845 | Body 0 |
| 70 | 179 | 3.0714 | The Old Invisible Woman |
| 70 | 331 | 3.0714 | With my tongue in my cheek |
| 71 | 140 | 3.0704 | 2020 Centennial of Women's Right to Vote Art Exhibit |
| 72 | 162 | 3.0571 | BIBLICAL CONTEXT: THE ABUSE OF SCRIPTURE AND ITS CONSEQUENCES ON GENDER INEQUALITY |
| 72 | 377 | 3.0571 | Creative Bureaucracies |
| 73 | 58 | 3.0429 | Dubai Drip |
| 74 | 257 | 3.0286 | Sad Paradise |
| 74 | 259 | 3.0286 | Beyond the Spectre |
| 75 | 102 | 3.0143 | Three Water Witnesses |
| 76 | 26 | 3 | Orange is the new Indigo |
| 77 | 73 | 2.9848 | ARTIFICE |
| 78 | 291 | 2.9841 | Cities of control, gardens of resistance |
| 79 | 15 | 2.9839 | Hshuma |
| 80 | 255 | 2.9683 | Between waters |
| 81 | 84 | 2.9677 | Flipside |
| 81 | 155 | 2.9677 | It all comes back now, in glimpses |
| 82 | 184 | 2.9516 | Off The Land |
| 83 | 41 | 2.8966 | Behind the Kennel |
| 84 | 325 | 2.8947 | Neurobit |
| 84 | 366 | 2.8947 | Systemic Engagement |
| 85 | 166 | 2.8929 | How to Rebrand a Nation State |
| 86 | 153 | 2.8772 | Radical Vessels- summoning elementals at the end of the world |
| 87 | 65 | 2.875 | GROUPING THE FORGOTTEN BEASTS: ANIMAL SCULPTURES AS CENOTAPHS FOR THE PRESENT MEXICO |
| 88 | 56 | 2.8462 | G project |
| 89 | 400 | 2.8421 | God in the World |
| 90 | 60 | 2.84 | Playing Hide-and-Seek with my Self |
| 91 | 115 | 2.84 | SPACEBODIES III : FLOOD THE SMALL ARMS INSPECTION BUILDING |
| 91 | 159 | 2.8393 | Bouncing perspectives |
| 92 | 333 | 2.8302 | Il Posto |
| 93 | 279 | 2.8269 | Black Flamingo |
| 94 | 244 | 2.8235 | PRAISE FOR EXTINCTION |
| 95 | 138 | 2.82 | With or Without You: America |
| 96 | 111 | 2.8 | WHAT THOUGHT CANNOT YET THINK |
| 97 | 88 | 2.76 | Primal Dust of The World |
| 98 | 152 | 2.7436 | The Unreasonable Man |
| 100 | 323 | 2.7436 | The Souls of Eternity |
| 100 | 71 | 2.7381 | SHELTER of EACH OTHER |
| 101 | 61 | 2.7368 | Sculpt For Delhi -III |
| 101 | 103 | 2.7368 | Field Formation: Always Already |
| 101 | 126 | 2.7368 | In Case of Fire |
| 101 | 131 | 2.7368 | Wardrobes of memory |
| 101 | 234 | 2.7368 | AI: Mind in the Making |
| 101 | 281 | 2.7368 | the owl does not need to see the mouse it hunts |
| 101 | 288 | 2.7368 | Suspended State |
| 102 | 145 | 2.7297 | Wreccum |
| 102 | 250 | 2.7297 | BECOMING A WOMAN: BREAKING THE POT |
| 102 | 364 | 2.7297 | Menstruatempower |
| 102 | 367 | 2.7297 | Podría ser un ahora (Yo no sé mañana) |
| 103 | 133 | 2.7105 | Bad Performance 坏表演 |
| 103 | 160 | 2.7105 | Not Applicable' or 'N/A' |
| 103 | 301 | 2.7105 | Toranj: Persian Carpets in the Western Context |
| 103 | 314 | 2.7105 | IDEAS TO POSTPONE THE END OF THE WORLD |
| 103 | 336 | 2.7105 | Technonatural colonization |
| 103 | 390 | 2.7105 | The language of Art |
| 104 | 101 | 2.7027 | HOMO HUMOUR: COMEDY AND SUBVERSION |
| 104 | 118 | 2.7027 | Looking at Eldos problems from a Visual perspective |
| 104 | 267 | 2.7027 | Interstellarly Yours...xx |
| 105 | 38 | 2.6842 | A mystery and a monster, a monster and yet fog |
| 105 | 49 | 2.6842 | Dopamine Dreams |
| 105 | 85 | 2.6842 | Panopti.con |
| 105 | 135 | 2.6842 | Carnal Abstraction |
| 105 | 324 | 2.6842 | Education by Stone |
| 105 | 347 | 2.6842 | Temporal que leva tudo |
| 105 | 351 | 2.6842 | Bang & Whimper |
| 105 | 378 | 2.6842 | Lilith's Children |
| 106 | 74 | 2.6757 | Challenging cortelhos |
| 106 | 338 | 2.6757 | In the Island / As the Island |
| 106 | 382 | 2.6757 | I am the stranger |
| 107 | 310 | 2.6579 | Uncertain and Wild Fragments |
| 107 | 312 | 2.6579 | Come to Daddy: Berlusconismo and the populist turn |
| 107 | 328 | 2.6579 | True or False? |
| 108 | 59 | 2.6486 | An uncanny assortment of miscellaneous objects |
| 108 | 207 | 2.6486 | Fabric of Photography |
| 109 | 149 | 2.6316 | The Banality of Evil - A tool kit |
| 109 | 354 | 2.6316 | No one ever owes it all to himself (NUNCA NADIE SE DEBE TODO A SÍ MISMO) |
| 110 | 33 | 2.6216 | C/OVERT: Militarization in war and peace |
| 110 | 306 | 2.6216 | while deep into the funnel of love |
| 110 | 397 | 2.6216 | Go West |
| 111 | 40 | 2.6053 | Embodied Uncommons |
| 111 | 242 | 2.6053 | Space dust cocoons: the tired eye and one meteoric surveillance v.s fragility of intimacy |
| 112 | 11 | 2.5946 | Interrupt the apocalypse |
| 112 | 154 | 2.5946 | Godmother |
| 112 | 287 | 2.5946 | Melting Points |
| 112 | 358 | 2.5946 | The Bureau of Cultural Appreciation: The Right to Return |
| 112 | 373 | 2.5946 | Uncanny Valley |
| 113 | 236 | 2.5789 | Spark Joy |
| 113 | 254 | 2.5789 | Vulnerability rethought ad infinitum... |
| 114 | 270 | 2.5676 | RADICAL TENDERNESS |
| 114 | 392 | 2.5676 | Artifactule |
| 115 | 14 | 2.5526 | The Food Diplomacy: Zoom in the Microscopic Power of Food Practices |
| 115 | 173 | 2.5526 | Age Of The Doppelganger |
| 115 | 233 | 2.5526 | Return |
| 116 | 27 | 2.5405 | Garbage |
| 116 | 269 | 2.5405 | Exercises for the Digital Age |
| 117 | 161 | 2.5263 | love & politics |
| 117 | 237 | 2.5263 | XENIA |
| 118 | 165 | 2.5135 | SELF - Me, Myself and I? |
| 119 | 188 | 2.4865 | RED_AKCJA / RED_AKTION |
| 119 | 272 | 2.4865 | BURIGANGA |
| 120 | 17 | 2.4857 | Cisma (Schism) |
| 120 | 80 | 2.4857 | One of These Artists. |
| 120 | 94 | 2.4857 | THE ANCESTORS OF ROBOTS. THE HISTORY OF THE ENDANGERED SPECIES (Surreal Art Project) |
| 120 | 117 | 2.4857 | Stories of Young, Labour and Cannibalism |
| 120 | 141 | 2.4857 | Common Space |
| 120 | 261 | 2.4857 | The Body Without Organs |
| 120 | 273 | 2.4857 | Plasticene: Posthumanism as we had never imagined |
| 120 | 298 | 2.4857 | The Collection of Pain |
| 120 | 370 | 2.4857 | hapticality, and other sensualities on the equator |
| 120 | 394 | 2.4857 | The Colossus |
| 121 | 28 | 2.4706 | Ghosting. How to Disappear Completely. |
| 121 | 344 | 2.4706 | To Give Would Be Called Time |
| 122 | 22 | 2.4571 | Ephemera |
| 122 | 120 | 2.4571 | Sensory Loci: Urban Rituals Decrypting Bombay |
| 122 | 127 | 2.4571 | Balloon |
| 122 | 134 | 2.4571 | On the Verges of Painting |
| 122 | 229 | 2.4571 | Post memory _Mapping |
| 122 | 247 | 2.4571 | Internet Landscapes |
| 122 | 264 | 2.4571 | VERSION 1.1 |
| 122 | 315 | 2.4571 | Parallel encounters across borders |
| 122 | 332 | 2.4571 | When Home isn't Home |
| 122 | 371 | 2.4571 | Pandillerismo intelectual |
| 123 | 67 | 2.4412 | Look from the outside to the inside |
| 123 | 110 | 2.4412 | Subtlety: a User's Manual |
| 123 | 147 | 2.4412 | ˜Parsley' was replaced 76 years later by |
| 123 | 174 | 2.4412 | Out of the Shadows: A New Armenia |
| 123 | 285 | 2.4412 | Muted Cords |
| 124 | 53 | 2.4286 | Bound By This Matter |
| 124 | 150 | 2.4286 | Making Worlds |
| 124 | 230 | 2.4286 | Terra Cotta |
| 124 | 303 | 2.4286 | The Smiling Gourmet |
| 124 | 357 | 2.4286 | WHAT IS GOING TO HAPPEN HERE ? // O QUE VAI ACONTECER AQUI ? |
| 125 | 36 | 2.4167 | The Utopian State |
| 126 | 176 | 2.4118 | Beneath The Surface |
| 126 | 215 | 2.4118 | Сorporeality and Sacredness |
| 126 | 216 | 2.4118 | Taking Up Space |
| 126 | 282 | 2.4118 | The Cartographic Impulse |
| 127 | 23 | 2.4 | City of the Future |
| 127 | 123 | 2.4 | Dismantling time through illusory identities |
| 127 | 214 | 2.4 | Set in Aspic |
| 128 | 47 | 2.3824 | Pharmac(it)y: A Pharmacy in the city or The City of Medicine |
| 128 | 151 | 2.3824 | Eco-memories: Exploring ways to think back to futures |
| 129 | 35 | 2.3714 | Revival of the Fittest |
| 129 | 290 | 2.3714 | Artificial systems in Intelligent times |
| 129 | 295 | 2.3714 | The Collection of Pain |
| 130 | 243 | 2.3529 | WUT (Witches Under Technocracy) |
| 131 | 46 | 2.3429 | #SOUNDING DIY IV – LIFE MINING# |
| 131 | 223 | 2.3429 | In the Name of the Name |
| 132 | 32 | 2.3143 | Yo Canada |
| 132 | 170 | 2.3143 | MATA |
| 132 | 359 | 2.3143 | Urban Texture |
| 133 | 31 | 2.2941 | I am Hopeful |
| 134 | 125 | 2.2857 | Overwriting |
| 135 | 300 | 2.2571 | WE ARE ALL ONE |
| 136 | 129 | 2.2353 | Redonda Libre |
| 136 | 211 | 2.2353 | Afterward...: Moving Stories |
| 137 | 114 | 2.2286 | all things in space (and their voice) |
| 138 | 13 | 2.2 | The artist is dead, long live to artist! |
| 138 | 79 | 2.2 | Notes on the Anthropocene |
| 139 | 10 | 2.1765 | Self defense |
| 140 | 112 | 2.1714 | Two summers and a little coal |
| 140 | 180 | 2.1714 | The Eyes of a Passer-by - ГЛАЗАМИ ПРОХОЖЕГО |
| 140 | 212 | 2.1714 | WE ARE |
| 140 | 388 | 2.1714 | Post.Digital.Dreams - 2 |
| 141 | 69 | 2.1471 | Foreign Objekt |
| 141 | 246 | 2.1471 | Anyway I said, and have saved my soul |
| 142 | 18 | 2.1429 | Animaily |
| 142 | 21 | 2.1429 | Complaint |
| 143 | 172 | 2.1143 | LEGACY ART-ICULATED |
| 143 | 253 | 2.1143 | Look back on the present |
| 143 | 265 | 2.1143 | Dirty Thoughts in Public Places |
| 144 | 91 | 2.0857 | Head...lines |
| 145 | 337 | 2.0286 | DEL DESIERTO ES UNA PROPUESTA ARTÍSTICA |
| 146 | 39 | 2 | No Title |
| 147 | 199 | 1.9143 | Transforming the Intermedium_ Mapping an idiosyncratic algorithm by design |
| 148 | 219 | 1.7647 | A bad mussels follow |
| 149 | 48 | 1.5714 | Pattern Reformation |