INTL Open Call 2021-22 Proposal Ranking
Thank you for participating in the 2021-22 International Open Call. We received 520 proposals from over 80 countries, which were voted on by an international panel of over 500 jurors. Jurors were asked to read at least 50 anonymous proposals. Over 18,000 votes were cast to determine the winning proposals. Below is a ranking of all submitted proposals in order of highest total score. Proposals with the same total score share place positions and are ranked with the same number.
INTL 2021 Jurors INTL 2021 Results Open Calls Info
The four highest ranking proposals were submitted by: Janet Oh (Ctrl+Alt+Yellow), Favour Ritaro (Arewa, Me Too), Milhas Pela Vida das Mulheres (Art for Women’s Lives), and Elena Knox ("Can you fuck it?" - The Fem-bot Phenomenon). The International Open Call accepts ideas for group exhibitions to be presented in their respective proposed cities around the world. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
INTL 2021 Jurors INTL 2021 Results Open Calls Info
The four highest ranking proposals were submitted by: Janet Oh (Ctrl+Alt+Yellow), Favour Ritaro (Arewa, Me Too), Milhas Pela Vida das Mulheres (Art for Women’s Lives), and Elena Knox ("Can you fuck it?" - The Fem-bot Phenomenon). The International Open Call accepts ideas for group exhibitions to be presented in their respective proposed cities around the world. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
Rank | ID | Score | Title |
---|---|---|---|
1 | 454 | 4.0769 | Ctrl+Alt+Yellow |
2 | 41 | 3.9623 | Arewa, Me Too |
3 | 300 | 3.9245 | Art for Women's Lives |
4 | 96 | 3.9223 | Can you fuck it? - The Fem-bot Phenomenon |
5 | 468 | 3.8868 | DOSLADOS: Re-imagining the San Ysidro-Tijuana Border one more time! Utopia welcomes you - The yet to come project |
5 | 246 | 3.8868 | Wild Waves and Paper Boats |
6 | 205 | 3.8846 | Superegg: Re-archiving Asian Female Bodies |
7 | 270 | 3.8679 | TransBorder |
7 | 274 | 3.8679 | A Patch of Green in Hot Concrete |
8 | 146 | 3.8302 | BEING THERE |
8 | 346 | 3.8302 | Breaking the Cycle |
9 | 254 | 3.8269 | Sisterhood of resistance |
10 | 189 | 3.8113 | Neither quiet nor orderly. From the workhouse to contemporary art: disabled women and textiles |
10 | 375 | 3.8113 | What are you coping with? |
11 | 323 | 3.7736 | Blood Sugar |
11 | 541 | 3.7736 | The Bones of our Tribe |
12 | 333 | 3.7692 | Fabrics of Life (Tejidos de Vida) |
13 | 430 | 3.7547 | I forgot my (m)other tongue |
14 | 239 | 3.7451 | PAVÊ - Performance Art Video Exhibition |
15 | 422 | 3.717 | Paris is Burning |
15 | 456 | 3.717 | Beds for Birds |
16 | 327 | 3.7115 | Soy Boy |
16 | 408 | 3.7115 | Landscape residues |
16 | 413 | 3.7115 | Not For Sale |
16 | 428 | 3.7115 | BELLEZA |
17 | 151 | 3.6981 | How are we, really? Demystifying Mental illness |
17 | 168 | 3.6981 | I AM |
18 | 180 | 3.6923 | Black Punk is not Dead |
19 | 119 | 3.6792 | My Pen Won't Break, But Borders Will |
19 | 289 | 3.6792 | Positions of Unthought |
19 | 516 | 3.6792 | Null |
20 | 229 | 3.6731 | The Woman |
21 | 398 | 3.6604 | Transvesting the Conquistador: 500 Years of Resistence |
21 | 459 | 3.6604 | BLIND SPOT |
22 | 396 | 3.6538 | Three Women (after a film by Robert Altman, 1977) |
23 | 231 | 3.6471 | ӨМӘ |
24 | 249 | 3.6415 | THE PARTY WE ARE NOT INVITED TO |
24 | 275 | 3.6415 | Kafala: Forced Workforce |
25 | 86 | 3.6346 | Up is Down, In is Out |
25 | 301 | 3.6346 | Short Peace |
26 | 176 | 3.6226 | It's All In Your Head |
26 | 213 | 3.6226 | Breaking Brexit |
26 | 486 | 3.6226 | City as a playground |
27 | 507 | 3.6154 | RENACIMIENTO |
28 | 123 | 3.6078 | The sea, my other land |
29 | 178 | 3.6038 | Athena's Thread - Converging Futures |
29 | 258 | 3.6038 | Battlefield Bodies and Inner Wars |
29 | 417 | 3.6038 | We all know or could know the wretched details |
30 | 185 | 3.6 | The Water Archive |
31 | 284 | 3.5962 | Muk Bang, You're Dead |
32 | 164 | 3.5882 | Other Uses for (An)Other |
33 | 116 | 3.5849 | A Political Choreography in Three Living Rooms |
33 | 310 | 3.5849 | AfroSight |
33 | 360 | 3.5849 | Mother |
34 | 336 | 3.5769 | Born in Macau (BiM) |
35 | 521 | 3.5686 | Proposals for an Expanding Earth |
36 | 39 | 3.566 | A Haunted Present |
36 | 212 | 3.566 | Lusted Men: open collection of erotic pictures of men* |
36 | 285 | 3.566 | Utopia as Method |
36 | 344 | 3.566 | The Guaicurus Street is alive |
36 | 371 | 3.566 | Cutting Freedom |
36 | 451 | 3.566 | THE COLOR OF POMEGRANATES |
37 | 286 | 3.5577 | Desdemona's Fate |
38 | 59 | 3.5472 | Nocheztli: The color of the sacrifice |
38 | 108 | 3.5472 | Pacing, Sensing the River |
38 | 165 | 3.5472 | The Dementia Takeaway |
38 | 206 | 3.5472 | Disappearing Africa Immersive |
38 | 269 | 3.5472 | Fixin' To |
38 | 317 | 3.5472 | Odd-ball |
38 | 343 | 3.5472 | Reunion |
38 | 471 | 3.5472 | Trophy Wife |
39 | 547 | 3.5385 | Where/Else |
40 | 132 | 3.5283 | The Emancipation of Everyday Life |
40 | 182 | 3.5283 | Mashrou3 Amal |
40 | 183 | 3.5283 | Pretend it's an art gallery |
40 | 242 | 3.5283 | The Distance Between the Two |
40 | 267 | 3.5283 | Life is But a Dream |
41 | 379 | 3.5192 | A Time to Unrip the Mountins |
41 | 466 | 3.5192 | Verdant/Mordant |
42 | 305 | 3.5098 | SA MIXINA |
43 | 215 | 3.5094 | In your Shoes |
43 | 282 | 3.5094 | Invisible Border Lines: One Africa |
43 | 474 | 3.5094 | Sane in Insane Places |
44 | 159 | 3.5 | Paintings with Natural Pigments: West, Middle East and Asia |
45 | 70 | 3.4906 | At Water's Mercy: The future of coastal Virginia |
45 | 150 | 3.4906 | Brikicho |
45 | 179 | 3.4906 | Title: The space between us, Subtitle: bodies in query |
45 | 202 | 3.4906 | Feminisms Quarrelling Touching |
45 | 326 | 3.4906 | Blood Sisters |
45 | 505 | 3.4906 | Vitrinas en movimiento |
46 | 405 | 3.4902 | Experiments for a Planetary Embodiment: Tools, Interfaces, and Artifacts for Sensing the Planet. |
47 | 227 | 3.4717 | decolonial creation |
47 | 279 | 3.4717 | Memory Management |
48 | 531 | 3.4706 | Uprising |
49 | 110 | 3.4615 | Oxygenium, Our Vitality |
50 | 207 | 3.4615 | Gentes del MAÍZ / People of Maize |
50 | 434 | 3.4615 | Disillusioned. |
51 | 113 | 3.4528 | Enjoy Contradiction - From Elsewhere |
51 | 252 | 3.4528 | Fluid Nation(alities) |
51 | 429 | 3.4528 | Intersectional Ecocriticisms |
51 | 444 | 3.4528 | Visions of Hyperreal |
51 | 446 | 3.4528 | Imroz (Today) |
51 | 504 | 3.4528 | Defictionalizing the total state |
51 | 545 | 3.4528 | Pressing Blood and Bone |
52 | 200 | 3.451 | Balik Kampung |
53 | 281 | 3.4423 | Born Again / Raised by you |
53 | 376 | 3.4423 | Postcard Africa |
54 | 157 | 3.434 | Sounds of London |
54 | 166 | 3.434 | Mothergrapher |
54 | 292 | 3.434 | DAKAR #BATHHOUSES Fluidity, queerness and cleansing : fugitive attempts for safe spaces and sharing |
54 | 330 | 3.434 | Creators at the Care Home |
54 | 340 | 3.434 | River of Life |
54 | 390 | 3.434 | What if we listened to rivers? |
55 | 443 | 3.4314 | Serial | Series |
56 | 154 | 3.4231 | Boxed in |
56 | 404 | 3.4231 | Deal With It |
57 | 193 | 3.4151 | The Watery Archive |
57 | 226 | 3.4151 | Sounding into ground |
57 | 487 | 3.4151 | I Miss You So Much: an epistolary romance between old friends, new immigrants, two art students, and |
58 | 197 | 3.4118 | Migrating Memories of Quisqueya |
59 | 48 | 3.4038 | The Fate of Fossils |
59 | 411 | 3.4038 | White Vinegar |
60 | 155 | 3.3962 | Re-EXistencia!!! |
60 | 232 | 3.3962 | Scream until you clear the fog |
60 | 315 | 3.3962 | Clubs in Milan. Music & culture 1969-2021 |
60 | 448 | 3.3962 | squeeze from the bottom |
61 | 173 | 3.3846 | Collective Dreams & Dreams of Collectivity |
61 | 221 | 3.3846 | Feeling doses |
61 | 263 | 3.3846 | BEYOND HORIZONS |
61 | 383 | 3.3846 | Speculative Encounters with the Anthropocene |
61 | 519 | 3.3846 | Homo Humor: Comedy and Subversion in Experimental Film and Artist Moving Image |
61 | 552 | 3.3846 | [MINE] OURS: Un-grounding the planetary mine |
62 | 98 | 3.3774 | Eshgh Abad [Love Land] |
62 | 335 | 3.3774 | Mary's HotHouse |
62 | 361 | 3.3774 | All that glitters is not gold |
62 | 391 | 3.3774 | Social Protest |
63 | 370 | 3.3725 | Un/Lost Light |
63 | 549 | 3.3725 | Make Live and Let Die |
64 | 45 | 3.3654 | Arde! al calor de la crisis (Burn! In the heat of the crisis) |
64 | 72 | 3.3654 | There are seams in purgatory |
64 | 415 | 3.3654 | Textum - queer identity in a bicentennial society |
64 | 534 | 3.3654 | « - DIS SYRIE… » |
65 | 43 | 3.36 | Memetic Hybrid-Fluid App. |
66 | 46 | 3.3585 | Strange Names |
66 | 126 | 3.3585 | AMAZÔNIA. Don't Kill the Woods! |
66 | 149 | 3.3585 | Asphalt After the Rain in the Garden of Eden Aotearoa |
66 | 158 | 3.3585 | Entangled Realities |
66 | 395 | 3.3585 | The language of plants |
66 | 402 | 3.3585 | We love each other alive |
66 | 442 | 3.3585 | Money Has No Smell (La Plata No Huele) |
66 | 508 | 3.3585 | Undergrowth |
67 | 195 | 3.3462 | Her Steps |
68 | 342 | 3.3396 | Second Genesis |
68 | 388 | 3.3396 | FrameWork |
68 | 403 | 3.3396 | What do you feel when I say technology? |
68 | 488 | 3.3396 | Um Maranhão de Sons (a Maranhão of sounds) |
68 | 536 | 3.3396 | LOVE TO BE LOVED |
69 | 392 | 3.3269 | And now that you see us |
70 | 129 | 3.3208 | Pictures in Wear |
70 | 304 | 3.3208 | Sorrow, Tear and Blood |
70 | 306 | 3.3208 | HUMAN BECOMING |
70 | 353 | 3.3208 | Najib |
70 | 377 | 3.3208 | Power |
70 | 481 | 3.3208 | Public Domain as a Verb |
71 | 506 | 3.3137 | Defictionalizing the total state |
72 | 350 | 3.3077 | Looking at | Looking through |
72 | 493 | 3.3077 | Data - a life manual |
72 | 499 | 3.3077 | The Body in Algorithms |
73 | 241 | 3.3019 | At Memory's Edge |
73 | 373 | 3.3019 | Under the Stone |
73 | 382 | 3.3019 | Like Water |
73 | 477 | 3.3019 | Burning in Water - Drowning in Flame |
74 | 450 | 3.2941 | Micronations Biennial |
75 | 445 | 3.2885 | We used to be neighbors |
75 | 517 | 3.2885 | Breathe |
75 | 546 | 3.2885 | Pleasure Principles: The Erotic Image as Power |
76 | 240 | 3.283 | LET'S ASK THE FOREST |
76 | 261 | 3.283 | Shame[less] |
76 | 349 | 3.283 | Sentient Matter |
76 | 384 | 3.283 | Defilement. Body States. Fascism. |
76 | 525 | 3.283 | Tighremt 2.0 |
76 | 544 | 3.283 | Landscape as Method · Inevitable Connections · Impossible Borders |
77 | 74 | 3.2642 | The Distress of the World |
77 | 99 | 3.2642 | The Palliative Turn |
77 | 131 | 3.2642 | Meeting Points |
77 | 174 | 3.2642 | Latinas from the Americas |
77 | 188 | 3.2642 | The man who killed the fish |
77 | 222 | 3.2642 | Not Black, Not White |
77 | 440 | 3.2642 | Resting Place |
78 | 359 | 3.2549 | Resisting from the kitchen: food, roots and re-articulation of memories |
78 | 387 | 3.2549 | If You've Got the Money (I've Got the Time) |
79 | 112 | 3.25 | LonelyFans |
79 | 248 | 3.25 | Foot that knows the Road |
79 | 378 | 3.25 | Utility Bre(a)d |
79 | 496 | 3.25 | SafarnÄma |
79 | 520 | 3.25 | I never heard a mermaid cry |
80 | 68 | 3.2453 | Matu no wawa |
80 | 253 | 3.2453 | Du Sitra |
80 | 369 | 3.2453 | The Scarasson Trials |
80 | 389 | 3.2453 | The Future is Young |
80 | 397 | 3.2453 | All-Inclusive Glitched Getaway |
80 | 421 | 3.2453 | I Know You From Somewhere |
80 | 458 | 3.2453 | Nation in exile: creation of global solidarity? |
80 | 479 | 3.2453 | Dreams by elimination |
81 | 423 | 3.2353 | Open-Air Constellations |
82 | 51 | 3.2264 | We, the Ungovernable |
82 | 172 | 3.2264 | Quarantine Cartography |
82 | 234 | 3.2264 | Form of Unrest (Form der Unruhe/Forma do Desassossego) |
82 | 307 | 3.2264 | The Unwild Life |
82 | 367 | 3.2264 | GUADELOUPE OFF THE TRACKS |
82 | 393 | 3.2264 | Immersive Recovery |
82 | 495 | 3.2264 | Map of Memory |
82 | 535 | 3.2264 | A Single Sentence Is Always Clearer |
82 | 542 | 3.2264 | Antimundos |
83 | 175 | 3.2075 | 11s - Ku Tema Nyola |
83 | 265 | 3.2075 | The movement of the seed |
83 | 358 | 3.2075 | Spiritual charge |
83 | 509 | 3.2075 | Subaltern Futurism: Genesis |
84 | 236 | 3.1923 | on the horizon |
84 | 243 | 3.1923 | Let Me Breathe |
84 | 250 | 3.1923 | edge effect |
85 | 171 | 3.1887 | CHANGE: 3 VOICES / 3 CONTINENTS |
85 | 298 | 3.1887 | Anonymous Retribution |
85 | 518 | 3.1887 | Stand for Women! Stop Violence! |
85 | 522 | 3.1887 | Sensorial Statistics for the Non-Yet-Visible |
86 | 91 | 3.1765 | DancingResistance |
87 | 85 | 3.1731 | An uncomfortable unifying truth |
88 | 501 | 3.1698 | Unearthing urban histories - from slavery to contemporary Rio de Janeiro |
89 | 280 | 3.1509 | Second-best scenario |
89 | 420 | 3.1509 | Memory / Refuse |
90 | 209 | 3.1346 | They're not going to be chaining me up |
91 | 139 | 3.1321 | When Plants Turn Away from Plant Nerds |
91 | 341 | 3.1321 | THE RISE OF THE CARE MACHINES |
91 | 530 | 3.1321 | trieh-trieh-trieh-tr/l-l-tr/l-l (song or silence) |
92 | 235 | 3.1163 | Ebb & Flow |
93 | 309 | 3.1154 | Behind the Back Door - archival exhibition of female cultural producers |
94 | 266 | 3.1136 | From the Echoes of the Ancestors |
94 | 498 | 3.1136 | Strange days: Fear of Comfort, Comfort of Fear |
95 | 67 | 3.1132 | II Biennial Black Brazil Art |
95 | 255 | 3.1132 | Drive to the Future |
95 | 287 | 3.1132 | (Inter)Generational |
95 | 339 | 3.1132 | daemon. |
95 | 455 | 3.1132 | REINTERPRETING THE PAST. The harp in Mexico in the 19th century, a retrospective vision |
96 | 75 | 3.1111 | Mapping the Cartographic |
96 | 308 | 3.1111 | Guns, Germs, and Steal: Postcolonialism From a Pandemic Perspective |
96 | 319 | 3.1111 | K-Everything |
96 | 352 | 3.1111 | Fábulas do Alvorada [Fables of Alvorada] |
96 | 465 | 3.1111 | Ab-sense |
96 | 514 | 3.1111 | Artists of the Revolution |
97 | 380 | 3.0962 | I see. Do you see me? |
98 | 140 | 3.093 | Musique Plus Plus | Much More Music |
98 | 329 | 3.093 | A Guide to Breathing |
99 | 161 | 3.0889 | Humwar |
99 | 293 | 3.0889 | Afterwards I smelled where fear had been |
99 | 355 | 3.0889 | Other Places |
99 | 453 | 3.0889 | when lions make no sound |
99 | 537 | 3.0889 | The Golden Cage Ostracon |
100 | 472 | 3.0755 | Porta Portese |
101 | 210 | 3.0698 | Cuenta conmigo, mi amor. |
102 | 276 | 3.0682 | In the Ruins of Institutions |
102 | 441 | 3.0682 | Polydektes revisited |
102 | 447 | 3.0682 | VESTIGES |
103 | 42 | 3.0667 | Family of Things |
104 | 214 | 3.0513 | 123 Movies |
104 | 414 | 3.0513 | PUERPERIUM |
104 | 457 | 3.0513 | HUMANIMAL |
104 | 469 | 3.0513 | From the postmodern condition to surveillance capitalism, negotiated through music video and its aud |
105 | 80 | 3.0444 | My name... |
105 | 362 | 3.0444 | ///rave.changing.stone |
106 | 63 | 3.037 | Body & Memory |
106 | 84 | 3.037 | landscape mode |
106 | 103 | 3.037 | At the Border |
106 | 208 | 3.037 | A Grammar of Violence |
106 | 223 | 3.037 | A Worship for Transcendence |
106 | 332 | 3.037 | Artificial Ecologies |
106 | 503 | 3.037 | Pentimento, Paradise, Parking Lot |
107 | 356 | 3.027 | Notions |
107 | 368 | 3.027 | Pneumatic devices and intangible hands |
107 | 412 | 3.027 | Fake It Till You Make It |
108 | 259 | 3.0263 | Dissonant Wormholes |
109 | 257 | 3.0256 | Glitching Realities : value and materiality in post digital spaces |
109 | 348 | 3.0256 | No one knows how to live |
110 | 217 | 3.0233 | TIMELINE |
111 | 433 | 3.0227 | ASTRONOMES AND CANNIBALS |
112 | 224 | 3.0222 | 44 days |
113 | 88 | 3 | Lost & Shared: Rehearsing collective processes of mourning towards affective and transformative poli |
113 | 135 | 3 | Reps 2 |
113 | 167 | 3 | Care for the Present |
113 | 211 | 3 | CONNECTED BUT ALONE |
113 | 247 | 3 | Fontainhas is the best art - community and resistence project |
113 | 316 | 3 | Through the Fissure |
113 | 324 | 3 | Take care. These letters will guide |
113 | 399 | 3 | Management of silences among migrants |
113 | 407 | 3 | Nope, this is not a play. |
113 | 436 | 3 | Two steps away |
113 | 489 | 3 | Rhizomes: Connective response to immobility |
113 | 510 | 3 | My Voice Through Others or Others' Voices Through Me?' |
113 | 548 | 3 | Plant. Plant? Plant! |
114 | 203 | 2.9778 | RETURNING IS LEAVING |
115 | 92 | 2.9744 | What Water |
115 | 256 | 2.9744 | Palabra Mestiza |
115 | 311 | 2.9744 | To the Unkwon ( Stretch) |
116 | 347 | 2.9722 | Folded Dimensions |
117 | 82 | 2.9697 | Ringer's Grip |
117 | 198 | 2.9697 | El Gran Palacio's Cumpleaño |
117 | 262 | 2.9697 | Plenty of water ran under bridges - Si el río suena. |
117 | 338 | 2.9697 | OPPORTUNE SPACES |
117 | 467 | 2.9697 | Magia cotidiana (Everyday Magic) |
117 | 529 | 2.9697 | New Renaissance AR / VR |
118 | 512 | 2.9677 | THE WALL |
119 | 89 | 2.963 | Veronica |
119 | 460 | 2.963 | Ecosistema de Afectos (Ecosystem of Affections) |
119 | 494 | 2.963 | Joy and Grace: The Craft of black excellence |
120 | 357 | 2.9615 | Handgorithm |
121 | 101 | 2.9487 | Material Tracings |
122 | 115 | 2.9394 | Faraway The Wanderers |
122 | 550 | 2.9394 | INSIDE OUT |
123 | 478 | 2.9333 | Essentials Only! |
124 | 314 | 2.9259 | CHASING THE UNDEFINED |
124 | 473 | 2.9259 | tsk tsk tsk! |
124 | 475 | 2.9259 | Machinic Landscapes |
124 | 476 | 2.9259 | Bodies in Motion |
125 | 100 | 2.9231 | Tawhidic Paradigm : Queer Muslimness. Redefining Cape Malay |
125 | 233 | 2.9231 | A line from the end of the world |
125 | 527 | 2.9231 | Plastic Plateau |
126 | 111 | 2.9091 | Complicity with Anonymous Materials |
126 | 251 | 2.9091 | Another World Is Possible |
127 | 216 | 2.9063 | From planet Earth with love |
128 | 66 | 2.9048 | Elements of the cosmos |
128 | 318 | 2.9048 | MINDS OF THE OTHERS |
128 | 470 | 2.9048 | De la memoria del paisaje (of the memory of the landscape) |
129 | 538 | 2.9032 | How do we resist? Performativity in Latin American 2010 - Present |
130 | 95 | 2.8889 | The world inside boxes. (Are we living inside of a box) |
130 | 130 | 2.8889 | heterotopia |
130 | 152 | 2.8889 | choreographies of un/doings |
130 | 225 | 2.8889 | I'll show you how dreams are prepared |
130 | 312 | 2.8889 | Red Language |
131 | 33 | 2.8788 | Latitudes, longitudes and states of minds |
132 | 485 | 2.875 | Secret Ceremony |
132 | 515 | 2.875 | The women house |
133 | 400 | 2.8696 | Make me feel at home |
133 | 464 | 2.8696 | Elements |
133 | 532 | 2.8696 | As If! The Decoy |
134 | 78 | 2.8636 | Cheerleader for a Funeral |
134 | 170 | 2.8636 | Crimean ark. Stop breathing |
134 | 177 | 2.8636 | DⱯɹƆ ƎɹND Sᴉ SᴉꞍꞱ |
134 | 201 | 2.8636 | SELF CONSTRUCTION _the common part of us, women |
134 | 277 | 2.8636 | Fiesta De Señoras De Corazón Indómito ( Indomitable Hearted Ladies Party) |
134 | 524 | 2.8636 | Your DNA Speaks |
134 | 543 | 2.8636 | Último Minuto |
135 | 32 | 2.8571 | (WATER). H2O. As it Is in 2021. |
135 | 133 | 2.8571 | Subversive: The Art of Justice in the New South |
135 | 219 | 2.8571 | Colombia territory of water |
135 | 296 | 2.8571 | THE VALLEY BETWEEN THE EYES |
136 | 278 | 2.8519 | Pandemic Views |
137 | 141 | 2.8485 | In praise of magic |
137 | 551 | 2.8485 | In the Flesh |
138 | 437 | 2.8333 | sowed baba poppy |
139 | 40 | 2.8261 | WAY OF ALTERING |
139 | 190 | 2.8261 | CLOWNING ACTS |
139 | 365 | 2.8261 | Sometimes, We Are Eternal |
140 | 136 | 2.8182 | Migration-Survival-Guilt&Shame |
140 | 204 | 2.8182 | Parallel Shifts in development: A generation of new networks. |
140 | 273 | 2.8182 | I Ghosted Border Art |
140 | 320 | 2.8182 | Moon Studies |
140 | 480 | 2.8182 | Look at what the tide brought in |
140 | 492 | 2.8182 | POSTSCRIPTS |
141 | 34 | 2.8095 | Cultures of Silence |
141 | 127 | 2.8095 | Uncanny Solace -Bizarre rituals |
141 | 283 | 2.8095 | boys will be boys (?) |
141 | 325 | 2.8095 | Frucking practices |
141 | 366 | 2.8095 | Common whispers. Towards an ecology of praxis |
141 | 452 | 2.8095 | Seeding Thre/d/holds |
142 | 268 | 2.7879 | Body Landscapes |
143 | 374 | 2.7826 | QUANTUM ENTANGLEMENT |
144 | 364 | 2.7778 | -invisible-hidden-unveiled- (working title) |
145 | 104 | 2.7727 | The Unseen Things-Time, Memory and Isolation. |
145 | 125 | 2.7727 | 24h in Lagos/London/Paris/Dakar |
145 | 490 | 2.7727 | ZOOMBIES |
146 | 47 | 2.7619 | serendipitous history - The Vertragsarbeiter |
146 | 142 | 2.7619 | HOMO FABER - UTOPIA OR DYSTOPIA |
146 | 163 | 2.7619 | Title to be defined (Exhibition of e-cuerpo: international encounter of Wearable Art & Tech, edit |
146 | 192 | 2.7619 | Excavation of Smoke Signals |
146 | 313 | 2.7619 | Spell it again, spell it backwards |
147 | 500 | 2.7407 | ambient togetherness : rave empathy |
148 | 245 | 2.7391 | The floating exhibition on the seld-driving ferry |
149 | 148 | 2.7273 | Tandw'art |
149 | 419 | 2.7273 | quarantined encounters |
149 | 432 | 2.7273 | PROJECT NEON |
149 | 539 | 2.7273 | Comida y Amistad (Food and Friendship) |
150 | 73 | 2.7143 | Antonio Uribe |
150 | 143 | 2.7143 | Cernunnos |
150 | 334 | 2.7143 | Three Audio-Visual Madmen. |
150 | 363 | 2.7143 | Genius Loci |
151 | 483 | 2.6957 | Smash the drones |
152 | 260 | 2.6818 | Tandemia |
152 | 385 | 2.6818 | Forbidden Sport |
152 | 424 | 2.6818 | Come To My Garden |
153 | 238 | 2.6667 | Arte Philosophica |
154 | 156 | 2.625 | The Boundary Layer |
155 | 121 | 2.619 | Into the Night |
156 | 144 | 2.5714 | The Nature we are loosing |
156 | 394 | 2.5714 | Corpo Casa alma Templo |
156 | 435 | 2.5714 | Place of Breach |
156 | 439 | 2.5714 | Keys to understanding a country with a Canal in the middle |
157 | 124 | 2.5652 | Crone |
157 | 194 | 2.5652 | Air-as-art |
157 | 299 | 2.5652 | In The Middle of a Steppe |
158 | 76 | 2.5455 | Sui Generis: color of movement flesh of sound |
158 | 540 | 2.5455 | COSMIC WISDOM: Conflict, Vulnerability, Lies, Nature, Care, Heterotopia, and Reality |
159 | 186 | 2.5238 | Contemporary Rio Fashion |
159 | 228 | 2.5238 | Peripheric Spaces / Peripheric Voices |
159 | 322 | 2.5238 | Russia outside of space and time |
159 | 533 | 2.5238 | A new, newer world |
160 | 271 | 2.5217 | Time Space Time |
161 | 331 | 2.4762 | Animals in life. |
162 | 511 | 2.4545 | Dead or Alive |
163 | 169 | 2.4286 | Kapitola |
163 | 321 | 2.4286 | The Opening and The Closure |
163 | 409 | 2.4286 | Regarding Fausta: From Roman Art to Abstract Expressionism |
164 | 77 | 2.4 | spiritual retreat |
165 | 53 | 2.3478 | Trash-art : a change of vision and concience. |
166 | 31 | 2.3333 | Masereel - black & With - 50 years later. |
166 | 87 | 2.3333 | NO FEAR? |
166 | 482 | 2.3333 | Queer(ing) Consumption |
167 | 218 | 2.3182 | Imperceptible body near the sea |
168 | 528 | 2.2857 | Comics to not think about |
169 | 184 | 2.2727 | Ourinhos |
169 | 438 | 2.2727 | Eneagram tipes and multiple conciences in apearences |
170 | 109 | 2.2609 | NOIR |
171 | 199 | 2.25 | Former Embassy |
172 | 181 | 2.2381 | Architecturing intimacy |
173 | 187 | 2.2273 | I see God |
173 | 410 | 2.2273 | Koan |
174 | 54 | 2.1905 | Carrier Theory of fiction (working title) |
175 | 102 | 2.1739 | Turn Over |
176 | 345 | 2.0476 | Under the SPb sky |
176 | 431 | 2.0476 | Error: T |
177 | 497 | 2 | Dear. Biosphere |
178 | 426 | 1.8636 | We're the worst at football. |
179 | 138 | 1.6667 | agglomerate |
180 | 64 | 1.6 | A story about Manouver |