Jurors for NYC 2020-21
More about our Open Calls
NYC Open Call 2020-21 Proposal Ranking
Thank you for participating in the 2020-21 NYC Open Call. We received 512 eligible proposals from 64 countries, which were voted on by an international panel of over 400 jurors. Jurors were asked to read at least 50 anonymous proposals. Over 14,000 votes were cast to determine the winning proposals. Below is a ranking of all submitted proposals in order of highest total score. Proposals with the same total score share place positions and are ranked with the same number.
The four highest ranking proposals were submitted by: Liz Faust (Elongated Shadows), Katarzyna Falęcka (Beyond Metaphor: Women and War), Elizabeth S. Hawley (Native Feminisms), and Earl of Bushwick (Queer-y-ing the Arab: The Canary in the Freedom Mine). The NYC Open Call accepts ideas for group exhibitions to be presented at apexart, 291 Church Street, in New York City. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
| Rank | ID | Score | Title |
|---|---|---|---|
| 1 | 461 | 4.0196 | Elongated Shadows |
| 2 | 315 | 3.98 | Beyond Metaphor: Women and War |
| 3 | 509 | 3.902 | Native Feminisms |
| 4 | 417 | 3.9 | Queer-y-ing the Arab: The canary in the freedom mine |
| 5 | 282 | 3.86 | Fierce Waves |
| 6 | 391 | 3.8431 | Gathering Clouds: Weather as Media |
| 7 | 392 | 3.84 | Ask A Fox For Its Skin |
| 8 | 142 | 3.7843 | Ruinology: unstable machines |
| 8 | 203 | 3.7843 | THE SUN KISSING THE EARTH AND US |
| 9 | 329 | 3.78 | FLUID VOICES |
| 9 | 442 | 3.78 | Phytomanic, Phytopanic |
| 10 | 470 | 3.74 | See Us |
| 11 | 195 | 3.72 | We the Sinful Women |
| 11 | 366 | 3.72 | Charms and Talismens |
| 11 | 448 | 3.72 | The Imaginary Amazon |
| 11 | 451 | 3.72 | Drag Now: Remaking Race and Gender |
| 12 | 24 | 3.68 | Trans-Continental: Exploring the Trans Experience Around the World Through Documentary Photography |
| 12 | 97 | 3.68 | Out of Existence |
| 13 | 34 | 3.6667 | The Corner Liquor Store |
| 14 | 254 | 3.66 | Read My Scarves |
| 14 | 513 | 3.66 | Vestiges of the future |
| 15 | 210 | 3.6538 | DIGITAL ART ACTIVISM, PUERTO RICO #RICKYRENUNCIA, JULY 2019 |
| 16 | 139 | 3.6471 | Divining el mundo zurdo |
| 16 | 251 | 3.6471 | The Am-I-American Dream |
| 16 | 283 | 3.6471 | Desert Dreamlands: The American Dream in Saudi Arabia |
| 17 | 436 | 3.64 | Documented |
| 18 | 328 | 3.6346 | The New Plantation Matrix Conversations| Concerning the Prison Industrial Complex |
| 18 | 347 | 3.6346 | Bodies Never Lie |
| 19 | 272 | 3.6275 | Not In Praise of Poison |
| 19 | 335 | 3.6275 | New Altars for New Tribes |
| 20 | 122 | 3.62 | LOVE AND LINEAGE (matchmaking in the archive) |
| 21 | 418 | 3.6 | Site Non-Specific/Specific: Global Industrial Landscape as Exemplified in the New Jersey Meadowlands |
| 22 | 410 | 3.5882 | The Precarity of Spectacle |
| 22 | 502 | 3.5882 | Maternal Bodies |
| 23 | 99 | 3.5686 | The Labyrinthine Opus |
| 24 | 216 | 3.56 | Leaving Provisional Carrying |
| 25 | 208 | 3.549 | A State of Grace |
| 26 | 515 | 3.54 | Postcollapse: East-in-Formation |
| 27 | 348 | 3.5294 | Sweet and Sour: Imaginary Homelands |
| 28 | 8 | 3.5098 | Diasporic Dysplasia |
| 28 | 76 | 3.5098 | Sing the Words I No Longer Speak |
| 29 | 188 | 3.5 | At Memory's Edge |
| 29 | 226 | 3.5 | Extimacy |
| 29 | 300 | 3.5 | Scores to be seen |
| 29 | 411 | 3.5 | The Grammar of Sovereignty |
| 29 | 425 | 3.5 | awareWare |
| 30 | 250 | 3.4902 | Where We All Ride Bamboo Bicycles |
| 30 | 354 | 3.4902 | solid roof, severe weather |
| 30 | 426 | 3.4902 | Fluid Home |
| 30 | 430 | 3.4902 | Geo-poetics of Resistance |
| 31 | 204 | 3.4706 | Brouhaha |
| 31 | 339 | 3.4706 | Humans Records on the dying Indus Delta |
| 31 | 444 | 3.4706 | The People's House of Un-American Activities |
| 31 | 469 | 3.4706 | Swan Song |
| 32 | 228 | 3.46 | Tender Buttons |
| 32 | 270 | 3.46 | Visibility & Vulnerability: Re-Imagining the Queer Archive |
| 32 | 457 | 3.46 | Lost objects: the power of absent clothes |
| 33 | 337 | 3.451 | Traced Authority |
| 34 | 63 | 3.44 | Final return (working title) |
| 34 | 241 | 3.44 | New Sanctuaries: Reimagining Ideas of Home and Domesticity |
| 35 | 171 | 3.4314 | On the Uses of History |
| 35 | 181 | 3.4314 | Salon Selected: Black Hair Is/As Fine Art |
| 35 | 305 | 3.4314 | Battles in the Desert |
| 35 | 389 | 3.4314 | Symposium In Blues |
| 35 | 407 | 3.4314 | Borderline disorder (TBD) |
| 35 | 450 | 3.4314 | By A Show of Hands |
| 36 | 184 | 3.42 | Women's Rites |
| 36 | 343 | 3.42 | You can't go home again |
| 37 | 141 | 3.4118 | The Queen's English: Who Owns It? |
| 38 | 243 | 3.4 | SALVAGED |
| 39 | 455 | 3.3922 | Desire, Deny, Devour |
| 39 | 479 | 3.3922 | Aftermaths |
| 39 | 491 | 3.3922 | Within Revolution, Everything[?] Against Revolution, Nothing[?] |
| 40 | 105 | 3.38 | Food & War at 40°39′40″N and 73°56′38″W |
| 40 | 140 | 3.38 | Still Waters Run Deep |
| 40 | 318 | 3.38 | The Amnesia Archive |
| 40 | 377 | 3.38 | Color Talks II |
| 40 | 393 | 3.38 | Language Unfolded |
| 40 | 458 | 3.38 | Capture / Trace / Go |
| 41 | 131 | 3.3725 | Censored Art Museum |
| 41 | 180 | 3.3725 | Eutopia! |
| 41 | 229 | 3.3725 | Queer Intersections |
| 41 | 434 | 3.3725 | Price Is Right(?) |
| 41 | 474 | 3.3725 | Whose Land? |
| 41 | 503 | 3.3725 | Mapping the Invisible (alt title: "I hear the rattling of keys / in the door of our golden history") |
| 42 | 390 | 3.36 | Dance of Urgency |
| 43 | 353 | 3.3529 | Wandering |
| 44 | 245 | 3.34 | Quote—Unquote |
| 44 | 258 | 3.34 | Water Flows Through US |
| 44 | 368 | 3.34 | Don't Be Seated |
| 45 | 172 | 3.3333 | Other Uses for (An)Other |
| 45 | 200 | 3.3333 | All the things left unsaid: (re)Migration and (re)Memorization |
| 45 | 323 | 3.3333 | Dancing with Tantalus |
| 46 | 19 | 3.3137 | Mujeres Caribe: Una exposición sobre la emigración e identidad |
| 46 | 233 | 3.3137 | ALIVE THEY TOOK THEM AND ALIVE WE WANT THEM BACK / VIVOS SE LOS LLEVARON Y VIVOS LOS QUEREMOS |
| 46 | 262 | 3.3137 | BORN FEMALE |
| 46 | 316 | 3.3137 | Rules to Forget |
| 46 | 319 | 3.3137 | nothing personal |
| 47 | 475 | 3.3077 | The World's Most Popular Photograph |
| 48 | 196 | 3.3 | Geometry and Anguish: Ten Mexican Contemporary Artists |
| 48 | 499 | 3.3 | Seventh Son |
| 49 | 327 | 3.2941 | Food on the Table |
| 50 | 71 | 3.28 | Drawing From The Wound |
| 50 | 330 | 3.28 | The Subject's Narrative (l) |
| 51 | 20 | 3.2745 | Calling All Divas: lineage, inheritance, fandom, idol worship, transference, and imaginings |
| 51 | 39 | 3.2745 | In Between These Walls |
| 51 | 304 | 3.2745 | All Signs Point to Rome, Diane |
| 52 | 317 | 3.26 | Transformative Potential of Eco Drawing: Drawing With Sun, Plants, and Audience |
| 53 | 201 | 3.2549 | con + quatere |
| 53 | 257 | 3.2549 | Native Borders |
| 53 | 301 | 3.2549 | LIVING IN THE EXCIPIENT. A GENEALOGY OF DIAGNOSIS |
| 54 | 309 | 3.24 | Wild in the City. |
| 55 | 58 | 3.2292 | Boys R Girls |
| 56 | 156 | 3.2286 | Disrupting Language Barriers |
| 56 | 167 | 3.2286 | Spill |
| 56 | 271 | 3.2286 | 레즈비언! (Lesbian!) |
| 56 | 293 | 3.2286 | Contingencies |
| 56 | 299 | 3.2286 | Still Here |
| 56 | 350 | 3.2286 | Direct Engagement |
| 56 | 370 | 3.2286 | Red Forest |
| 56 | 409 | 3.2286 | Marronage - Flights to Freedom |
| 56 | 424 | 3.2286 | Here/Here |
| 56 | 452 | 3.2286 | Reflection on Whereness |
| 56 | 489 | 3.2286 | Your house is my home |
| 56 | 523 | 3.2286 | Borderlands |
| 57 | 101 | 3.2273 | Out Of Place |
| 57 | 246 | 3.2273 | "Could Have Been People Here" |
| 58 | 121 | 3.225 | SPUNKT |
| 58 | 236 | 3.225 | I Might Know How You See Red |
| 58 | 244 | 3.225 | Change of mind |
| 58 | 375 | 3.225 | Oracles |
| 59 | 68 | 3.2222 | The Country boy |
| 59 | 125 | 3.2222 | The Treachery of Object |
| 59 | 344 | 3.2222 | Stones of Heart |
| 59 | 351 | 3.2222 | noname. |
| 59 | 504 | 3.2222 | Bodies In Space: Afrofuturist Claims |
| 59 | 522 | 3.2222 | Converging Point |
| 60 | 382 | 3.22 | SEEING & DISBELIEVING |
| 61 | 60 | 3.2174 | New York Type of Place |
| 62 | 273 | 3.2162 | Camping in Spain |
| 62 | 484 | 3.2162 | On the Boundary of Movement: Aesthetics and Black Feminist Performance and Digital Art |
| 62 | 516 | 3.2162 | The Phenomenal Screen |
| 63 | 242 | 3.2143 | VIRTUALLY TANGIBLE |
| 63 | 269 | 3.2143 | What comes after the monument? |
| 63 | 280 | 3.2143 | Up-cycled: Material Transformations and Critique |
| 63 | 286 | 3.2143 | Subjects of Desire |
| 64 | 107 | 3.2105 | Safe, between the covers (?) |
| 64 | 124 | 3.2105 | Liquid generation. An exhibition in a suitcase |
| 65 | 297 | 3.2093 | Invasive Apothecary |
| 66 | 169 | 3.2083 | Location Remote: Tales From The Continent |
| 66 | 189 | 3.2083 | Fake Love, Real Love |
| 66 | 190 | 3.2083 | A Mystery and a Monster, a Monster and yet Fog |
| 66 | 324 | 3.2083 | Ultimatum |
| 66 | 429 | 3.2083 | Terraforma |
| 67 | 10 | 3.2059 | Disposable Income |
| 67 | 30 | 3.2059 | Vuca Collective |
| 67 | 40 | 3.2059 | vvā |
| 67 | 119 | 3.2059 | Lost lives or Miscarriage of justice |
| 67 | 136 | 3.2059 | Geopoetics for a Deep Time |
| 67 | 155 | 3.2059 | Do Touch |
| 67 | 162 | 3.2059 | Flowers for the Dead, Silence for the Living |
| 67 | 168 | 3.2059 | #freethenipple |
| 67 | 267 | 3.2059 | SMILE LOVE |
| 67 | 306 | 3.2059 | Fictional Realisms: Redrawing the Map in the Climate Crisis |
| 67 | 454 | 3.2059 | Identity Markers |
| 68 | 519 | 3.2045 | Imagine a slice of pizza: between you and the environment |
| 69 | 420 | 3.2 | Hide and See(k) |
| 70 | 221 | 3.1951 | Shiraz, city of love |
| 71 | 224 | 3.1944 | Radical Ventriloquism: Speaking For and Speaking Through |
| 71 | 494 | 3.1944 | Trace through the Oil |
| 72 | 360 | 3.1915 | Touching Textiles- Exploring the tactility of craftsmanship processes and material work. |
| 73 | 90 | 3.1765 | (No) Laughing Matter |
| 73 | 111 | 3.1765 | THE BLACK AND WHITE SHOW |
| 73 | 183 | 3.1765 | Day Jobs |
| 73 | 185 | 3.1765 | Senses of justice |
| 73 | 238 | 3.1765 | Re-Imagining Open Kinships |
| 73 | 307 | 3.1765 | SIRENS |
| 73 | 349 | 3.1765 | Futurity is Not a Luxury |
| 73 | 413 | 3.1765 | NO REST FOR THE SACRED |
| 73 | 464 | 3.1765 | Private Parts |
| 73 | 472 | 3.1765 | PLAY |
| 73 | 495 | 3.1765 | do you think this is for you? |
| 74 | 487 | 3.1714 | Overpopulated No Man's Land |
| 75 | 95 | 3.1471 | Popular Civilization |
| 75 | 157 | 3.1471 | Hauntings |
| 75 | 176 | 3.1471 | The Last Feast |
| 75 | 338 | 3.1471 | WORDS AND WOMEN. WORDS OF WOMEN. WORDS BY WOMEN: TEXT, LANGUAGE AND POETRY IN WOMEN'S ART |
| 75 | 359 | 3.1471 | Aliens with Extraordinary Abilities |
| 75 | 401 | 3.1471 | A Renaissance of Yiddish Cinema |
| 75 | 468 | 3.1471 | Let there be Clamour |
| 75 | 501 | 3.1471 | Fatoumata Puissanci |
| 76 | 214 | 3.1176 | OH SAY CAN YOU SEE? |
| 76 | 379 | 3.1176 | Fixation Amnesia |
| 76 | 440 | 3.1176 | Stateless maps |
| 77 | 340 | 3.0968 | Networks of (Be)longing |
| 78 | 33 | 3.0938 | The Apocalyptic Landscape |
| 78 | 45 | 3.0938 | Animal Icons |
| 78 | 46 | 3.0938 | The Digital Eye |
| 78 | 151 | 3.0938 | We all need shelter, but what is it? |
| 78 | 202 | 3.0938 | What happens in the desert |
| 78 | 341 | 3.0938 | Nexus |
| 78 | 372 | 3.0938 | ICE POLICIES |
| 78 | 435 | 3.0938 | WUT (Witches Under Technocracy) |
| 78 | 447 | 3.0938 | sense/response (working title) |
| 78 | 477 | 3.0938 | Unarchiving the archive: South Atlantic crossroad dialogues |
| 79 | 239 | 3.0909 | THE SAFE PLACE |
| 79 | 240 | 3.0909 | One word |
| 79 | 255 | 3.0909 | Out of Turn, Out of Tune |
| 79 | 387 | 3.0909 | The Bitches. The Witches. 1,2,3 Baba Yaga Sees... |
| 79 | 427 | 3.0909 | Fangirls: Love & Theory in Practice (working title) |
| 80 | 292 | 3.0882 | The Botswana Pavilion: Culture Tube Test |
| 80 | 431 | 3.0882 | Whose Fault Was It? The Serpent, Eve and Adam in the Garden of Eden |
| 80 | 463 | 3.0882 | OGWATA – The art of walking |
| 80 | 510 | 3.0882 | Radical Hope |
| 81 | 405 | 3.0645 | White Affects |
| 82 | 134 | 3.0625 | Paravane: The Embodiment of Retrieval |
| 82 | 150 | 3.0625 | Notions of Abstraction in Contemporary Photography |
| 82 | 374 | 3.0625 | Camouflage; the interface between War, Print and Technology. |
| 82 | 481 | 3.0625 | A Skirt |
| 83 | 205 | 3.0588 | Nuance: Identity & Representation |
| 84 | 278 | 3.0313 | Eros Flowering, Enslaved |
| 84 | 281 | 3.0313 | Psychedelic Video Artifacts |
| 84 | 284 | 3.0313 | Imagined Homelands |
| 84 | 289 | 3.0313 | Lights Could Burn |
| 84 | 333 | 3.0313 | Blood River at The Borders of Fugitivity, Grief and Memory |
| 84 | 355 | 3.0313 | Song in the Night |
| 84 | 396 | 3.0313 | Ipso Facto |
| 85 | 42 | 3 | Seeding |
| 85 | 231 | 3 | Midnight Club '94 |
| 85 | 295 | 3 | Fashion is not my skin |
| 85 | 314 | 3 | Mneumonic Fragments |
| 85 | 394 | 3 | The Real Event - what we register as history today |
| 86 | 145 | 2.9688 | Nationalism ≠Patriotism |
| 87 | 313 | 2.9677 | Imagining new stories |
| 88 | 363 | 2.9667 | Dwelling |
| 89 | 449 | 2.9655 | Support Structures |
| 89 | 456 | 2.9655 | Intersectional Healing: Mechanisms To Claim |
| 90 | 312 | 2.9643 | Hack for the climate |
| 90 | 498 | 2.9643 | Non-Spaces |
| 91 | 25 | 2.963 | Cross-Cities |
| 91 | 146 | 2.963 | Landscape Portrait |
| 91 | 285 | 2.963 | Trespassing |
| 91 | 471 | 2.963 | Convergence 2020 |
| 92 | 310 | 2.9333 | NOMADS LAND. Movement, metamorphose and identity. |
| 93 | 291 | 2.9286 | The Materiality of Death |
| 93 | 381 | 2.9286 | Aerobics of the Uncanny Valley |
| 93 | 437 | 2.9286 | hashtag famous |
| 94 | 110 | 2.9259 | It's All In The Telling |
| 94 | 178 | 2.9259 | Unnatural Causes |
| 94 | 249 | 2.9259 | Common Threads |
| 94 | 259 | 2.9259 | A Presence in Process |
| 94 | 462 | 2.9259 | On Terrain and Emblem |
| 94 | 505 | 2.9259 | "Find optimism in the inevitable." |
| 95 | 480 | 2.9231 | Stargazer |
| 96 | 227 | 2.8889 | The Uncertainty of Substance |
| 96 | 331 | 2.8889 | The Body of the Condemned: Decolonizing the Anthropocene |
| 96 | 408 | 2.8889 | Memory smell |
| 97 | 21 | 2.8571 | Hshuma |
| 97 | 65 | 2.8571 | Making Connections : Of Macrocosms and Microcosms |
| 97 | 116 | 2.8571 | Common Place |
| 97 | 130 | 2.8571 | Carnival Prelude: yellowy millennials in our space-time |
| 98 | 514 | 2.8519 | Machinic Assemblages |
| 99 | 399 | 2.8462 | Guilt |
| 99 | 465 | 2.8462 | Uniquely Southern |
| 100 | 73 | 2.84 | Future Worldings |
| 101 | 41 | 2.8333 | The Bermuda Triangle |
| 101 | 265 | 2.8333 | ¯\_(ツ)_/¯ |
| 101 | 288 | 2.8333 | IMPRINT: Printing in Contemporary Textile Art |
| 101 | 383 | 2.8333 | Endgame |
| 102 | 187 | 2.8261 | Interrogation of Beauty |
| 102 | 395 | 2.8261 | 98 Illusion |
| 103 | 320 | 2.8182 | Proposed Title: ⌘(CTRL)-Z : Tactile Sanctuaries |
| 103 | 321 | 2.8182 | Aurora |
| 103 | 402 | 2.8182 | Schrodinger's urbanism - Is the city dead or alive? |
| 104 | 87 | 2.8095 | The Art, Science and Politics of Marine Algae |
| 104 | 213 | 2.8095 | "DARING TO BE DIFFERENT" |
| 104 | 346 | 2.8095 | Please (don't) take a seat. Objects for video dance |
| 105 | 193 | 2.8077 | Breaking Borders |
| 106 | 74 | 2.7917 | the trip |
| 106 | 147 | 2.7917 | Search for...Equality. The more you search, the less you find. |
| 106 | 166 | 2.7917 | The Age of Anxiety: Healing Through Art |
| 106 | 275 | 2.7917 | Appropriating 'I' |
| 107 | 247 | 2.7826 | Our Social Matrix and Its Human Products |
| 107 | 336 | 2.7826 | The Compact With Physicality |
| 107 | 439 | 2.7826 | Traces of Life |
| 108 | 51 | 2.7727 | Casual Mysticism |
| 108 | 91 | 2.7727 | The Digital Body Remains, We Are Only Cells and Data |
| 108 | 123 | 2.7727 | Temporal Hiccoughs |
| 108 | 279 | 2.7727 | Decode |
| 108 | 421 | 2.7727 | Porous Bodies: Embodied Knowledge |
| 108 | 473 | 2.7727 | It doesn't prove anything, except we keep on living |
| 109 | 287 | 2.7619 | The revelation of nature |
| 109 | 460 | 2.7619 | The artist was here |
| 110 | 26 | 2.7368 | Acts of Production or the Stockholm Syndrome |
| 110 | 27 | 2.7368 | Becoming a Target: The Politics Signaling, Exposing, Labeling and Beyond |
| 110 | 37 | 2.7368 | As minhas mãos são o nosso mundo (My hands are our world) |
| 110 | 86 | 2.7368 | The Rule of Gender |
| 110 | 152 | 2.7368 | Collaboration. Fashion as Art and Fashionable Art |
| 110 | 248 | 2.7368 | Speaking the Mind |
| 110 | 290 | 2.7368 | Soon There Will Be Nothing Where There Never Was Anything \ Tarrying With The Nothing |
| 110 | 322 | 2.7368 | Mercury Was in Retrograde |
| 110 | 357 | 2.7368 | Nascent Trysteros |
| 110 | 385 | 2.7368 | Fantoche |
| 110 | 423 | 2.7368 | in search of the immaterial monument |
| 110 | 517 | 2.7368 | non-space |
| 111 | 108 | 2.7273 | The Political Body |
| 111 | 352 | 2.7273 | The Electricity Deception |
| 111 | 433 | 2.7273 | Dance is the hidden language of the soul |
| 112 | 48 | 2.7143 | Blasts, Cries, Laughter |
| 112 | 165 | 2.7143 | Flemish Primitives > Belgian Surrealists |
| 113 | 298 | 2.7 | Another Erotic Matter |
| 113 | 364 | 2.7 | We can't go on together, with suspicious minds… |
| 113 | 466 | 2.7 | Sanity for Sale? |
| 114 | 61 | 2.6842 | Vaginas are Lit |
| 114 | 112 | 2.6842 | "I’ve always thought that the ideal is to do nothing and still be able to make a living out of it..." |
| 114 | 135 | 2.6842 | Women Travelling Alone |
| 114 | 144 | 2.6842 | In Praise of Form |
| 114 | 161 | 2.6842 | Looking Back |
| 114 | 207 | 2.6842 | Mapping Terra incognita |
| 114 | 326 | 2.6842 | IMPulse |
| 114 | 367 | 2.6842 | LAG: Pixel ∙ Line ∙ Touch |
| 114 | 476 | 2.6842 | Burning down the Internet |
| 114 | 478 | 2.6842 | Funny Radical : In the 4th Industrial Revolution Era, Is Utility still better than Radical Useless |
| 114 | 486 | 2.6842 | ¿CUÁNTO TE LLAMAS? EL DINERO EN EL ARTE CONTEMPORÁNEO// How much are you? Money and contemporary |
| 114 | 488 | 2.6842 | CLAIRVOYANT JOURNAL |
| 114 | 506 | 2.6842 | Prisoners of the Sun |
| 114 | 507 | 2.6842 | Holding It Together |
| 115 | 222 | 2.6818 | Event Horizon |
| 116 | 197 | 2.65 | DIFFERENTIATED & INTEGRATED |
| 116 | 378 | 2.65 | Unruly Complexity of Being Interconnected: "You are not a drop in the ocean. You are the entire ocean in a drop." |
| 117 | 16 | 2.6316 | Complex Ecologies |
| 117 | 47 | 2.6316 | Listen With the Ear of Your Heart(h) |
| 117 | 174 | 2.6316 | AFFINITIES |
| 117 | 212 | 2.6316 | a right left-wing |
| 117 | 303 | 2.6316 | Dismantling methodologies of happiness |
| 117 | 308 | 2.6316 | The Nature of Empathy and the Art of Storytelling |
| 117 | 422 | 2.6316 | Braking point "Zero" |
| 117 | 490 | 2.6316 | Embezzlement Of Cultures In A Melting Pot |
| 118 | 83 | 2.6 | The Wait of Falling |
| 118 | 215 | 2.6 | I Am Black, But Comely: Queering Frameworks of Faith |
| 118 | 362 | 2.6 | Let's laugh about IT "Audio/Visual dictionary for sane minds" |
| 118 | 376 | 2.6 | The Art of Living With |
| 118 | 415 | 2.6 | CONTACT POINTS |
| 118 | 453 | 2.6 | Dream swallowing barrier |
| 119 | 160 | 2.5789 | "Transformation. In Touch with Art" |
| 119 | 237 | 2.5789 | When Will You March For Me |
| 119 | 398 | 2.5789 | Pivoting the Box |
| 120 | 28 | 2.55 | Possibility Bubble |
| 120 | 302 | 2.55 | Laughing Skulls Motorcycle Club, Extraction |
| 120 | 356 | 2.55 | Boundaries Borders and Walls - Connecting the World Through Art and Written Word |
| 120 | 428 | 2.55 | Say her name |
| 121 | 36 | 2.5263 | my people |
| 121 | 72 | 2.5263 | Should I Stay or Should I Go |
| 121 | 129 | 2.5263 | What Can I Say? |
| 121 | 143 | 2.5263 | IN CASE OF EMERGENCY |
| 121 | 406 | 2.5263 | Fire! Water! |
| 122 | 115 | 2.5 | Noman's Land: revisited |
| 122 | 164 | 2.5 | Earthwork : Soulwork , A Continuing Conversation |
| 122 | 403 | 2.5 | Asian Fusion |
| 122 | 445 | 2.5 | Flows and invisible identities |
| 122 | 493 | 2.5 | The Motherhood Penalty |
| 123 | 159 | 2.4737 | Reaction |
| 123 | 235 | 2.4737 | Perception/s |
| 123 | 252 | 2.4737 | Resistance to immigration or the immigration resistance |
| 123 | 263 | 2.4737 | :: New Human Intelligence :: |
| 123 | 345 | 2.4737 | Archiving for the future |
| 123 | 386 | 2.4737 | What happens to the heart |
| 123 | 432 | 2.4737 | Heart, Lungs, and Genitals — On the Way to Immortality |
| 123 | 483 | 2.4737 | High-Res / Pixelated Dreams |
| 123 | 500 | 2.4737 | Dreaming: Red Black and Blue |
| 124 | 154 | 2.45 | Traversing Dionysus |
| 124 | 223 | 2.45 | PERCEPTUAL DECONSTRUCTION |
| 125 | 100 | 2.4211 | MEET THE MPIANAS |
| 125 | 149 | 2.4211 | Age of Awakening |
| 125 | 264 | 2.4211 | Recidivism |
| 125 | 384 | 2.4211 | #ccSPORT |
| 125 | 482 | 2.4211 | Human Instrumentality Project |
| 126 | 158 | 2.4 | See the Beauty End the Violence |
| 126 | 369 | 2.4 | Raiders of the Manthropocene |
| 127 | 15 | 2.3684 | Transparence |
| 127 | 17 | 2.3684 | Breaking Through |
| 127 | 55 | 2.3684 | Pinball |
| 127 | 138 | 2.3684 | Helicon |
| 127 | 485 | 2.3684 | Farther than the Ranch |
| 127 | 496 | 2.3684 | Amazing C-section Stories And Their Awesome Scars |
| 128 | 52 | 2.35 | WHERE IS HOME? |
| 128 | 230 | 2.35 | Here Now |
| 129 | 118 | 2.3158 | Popular Justice |
| 129 | 220 | 2.3158 | Quiet Eye |
| 129 | 274 | 2.3158 | UNCOVERING CHANGE-Tools of Transformation |
| 130 | 77 | 2.3 | Selective Memory Lane |
| 130 | 80 | 2.3 | The absence as a pretext II |
| 130 | 81 | 2.3 | Cosmic Non-sense |
| 130 | 109 | 2.3 | Mambembe |
| 130 | 332 | 2.3 | The FLASH on a MIRROR |
| 131 | 43 | 2.2632 | KIN |
| 131 | 177 | 2.2632 | Femme |
| 131 | 218 | 2.2632 | hyper states of baing |
| 131 | 311 | 2.2632 | Home |
| 131 | 518 | 2.2632 | The Affair |
| 132 | 416 | 2.25 | Those thoughtful people. Canadian project-based art. |
| 132 | 446 | 2.25 | Building The Better Feminist |
| 133 | 59 | 2.2105 | Before I Became You! |
| 133 | 79 | 2.2105 | Edge of the Abyss (The Day Before - The Day Of - The Day After) |
| 133 | 268 | 2.2105 | So Close You're Inside: This story is yours as much as it is mine. |
| 133 | 373 | 2.2105 | The Nouvelle Vague |
| 134 | 12 | 2.2 | The Queer Side, a Paper Exhibition |
| 135 | 179 | 2.1579 | Artist Studios |
| 135 | 234 | 2.1579 | Books by Covers |
| 135 | 467 | 2.1579 | The map is not the territory |
| 136 | 78 | 2.15 | Heartbeat: The Return of the Divine Feminine |
| 136 | 371 | 2.15 | "2020 will not save us, we have to save ourselves" |
| 137 | 35 | 2.1053 | Conscious Perceptionalism |
| 137 | 443 | 2.1053 | What do you know about walls? |
| 138 | 260 | 2.1 | The Art of Rock and Pop |
| 138 | 441 | 2.1 | Eyelids Fall |
| 138 | 511 | 2.1 | Genre-Fluid Hallowed Ground |
| 139 | 57 | 2.0526 | What It Takes Vol 1 Exhibition |
| 140 | 14 | 2.05 | Performance Art in Virtual Reality |
| 140 | 225 | 2.05 | Human-filters |
| 141 | 397 | 2 | Unredacted |
| 142 | 334 | 1.95 | Space Between Time |
| 143 | 56 | 1.9474 | Abstraction to Hyperrealism in the 21st Century |
| 143 | 170 | 1.9474 | Red with passion |
| 143 | 173 | 1.9474 | Refund Policy |
| 143 | 400 | 1.9474 | The Spectral is Political |
| 144 | 29 | 1.9 | Zinc White Lard |
| 145 | 18 | 1.8947 | Young Line. Young Authors of Photography |
| 145 | 69 | 1.8947 | Painting as Sorcerer |
| 146 | 132 | 1.85 | Mother Fucker |
| 147 | 198 | 1.7895 | Strait Forward, Image Driven |
| 148 | 380 | 1.7368 | Subsoil of the Body |
| 149 | 22 | 1.6 | BYBLOS |
| 150 | 88 | 1.55 | Art for space |
| 151 | 113 | 1.5 | LIGHT DARK |
| 151 | 128 | 1.5 | 8 from FAME (Fellowship Annual Members Exhibition) |
| 152 | 23 | 1.4737 | On the water |
| 153 | 217 | 1.4737 | aarambh means start up |