Jurors for NYC 2021
Results of NYC 2021
More about our Open Calls
Results of NYC 2021
More about our Open Calls
NYC Open Call 2021-22 Proposal Ranking
The four highest ranking proposals were submitted by: La Revuelta (Maya Juracán, Renata Alvarez, Jimena Galán Dary, Christa Krings and Andrea López) (Recontarnos (Rewriting Us)), Mae A. Miller (A Thousand Secrets), After Party Collective (Vidisha-Fadescha and Shaunak Mahbubani) (Trans Dance Revolution), and Luiza Testa (Oh, I Love Brazilian Women). The NYC Open Call accepts ideas for group exhibitions to be presented at apexart, 291 Church Street, in New York City. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
Rank | ID | Score | Title |
---|---|---|---|
1 | 379 | 4.0847 | Recontarnos (Rewriting us) |
2 | 186 | 3.9661 | A Thousand Secrets |
3 | 400 | 3.9153 | TRANS DANCE REVOLUTION |
4 | 431 | 3.9118 | Oh, I Love Brazilian Women |
5 | 478 | 3.8955 | The Courage of Shutting-Up |
6 | 224 | 3.8814 | Apple Doesn't Fall Far from the Tree |
7 | 372 | 3.8644 | Being There |
8 | 57 | 3.8136 | Procedural Romance |
8 | 284 | 3.8136 | UANI (FROM THE BACKYARD) |
9 | 140 | 3.8 | DANCE AS A WEAPON |
10 | 525 | 3.7797 | She's a Knockout |
11 | 223 | 3.7627 | Sane in Insane Places |
12 | 541 | 3.7458 | Nostalgia for Light |
13 | 370 | 3.6949 | A Sense of Time |
14 | 33 | 3.678 | We Pick the Harvest': Race, Labor, and Resistance |
14 | 183 | 3.678 | DIGITAL WETNESS |
14 | 266 | 3.678 | "A bird doesn't sing because it has an answer, it sings because it has a song" |
15 | 72 | 3.661 | Rising Waters |
15 | 133 | 3.661 | NOWYOUSEEUS - The Hair Shop |
15 | 345 | 3.661 | Imagining Feminist Biotechnologies |
15 | 364 | 3.661 | Third Culture |
15 | 472 | 3.661 | A Haunting Medium: The Visual Politics of Death |
16 | 270 | 3.6441 | Close to Home |
16 | 441 | 3.6441 | The Untouchables |
17 | 236 | 3.6271 | Other Uses for (An)Other |
17 | 299 | 3.6271 | Third Sex : Responding to the Criminalisation of Homosexuality in Samoa |
17 | 329 | 3.6271 | Megalomania and Its Discontents : Designing a New World in Brazil |
17 | 343 | 3.6271 | terrae armatus |
17 | 382 | 3.6271 | Fábulas Patrias: A History of Mexico |
17 | 492 | 3.6271 | <script> |
18 | 318 | 3.6167 | The Self Generator |
18 | 358 | 3.6102 | Grandma's Dough |
18 | 451 | 3.6102 | Monumental Absence |
18 | 506 | 3.6102 | HOLY CARTOGRAPHY! Alternative Mapping in Israeli-Palestinian Contemporary Art |
19 | 294 | 3.5932 | Blood, Sweat & Tears |
19 | 438 | 3.5932 | Breathing While Black: African Americans, Mobility and White Space |
20 | 44 | 3.5763 | Inheritance |
20 | 402 | 3.5763 | Utopian Thinking in Farcical Times |
20 | 410 | 3.5763 | The Female Creative: Empowering and Occupying Spaces |
21 | 21 | 3.5593 | The United States of Intimacy |
21 | 245 | 3.5593 | Common Bread |
21 | 415 | 3.5593 | Transient Echoes in Dreams of Gardens |
22 | 392 | 3.5424 | Waiting Room: Women Healers and Patients on the Periphery of Medicine |
22 | 489 | 3.5424 | Future Ecology |
22 | 537 | 3.5424 | I Miss You So Much: an epistolary romance between old friends, new immigrants, two art students, and |
23 | 171 | 3.5254 | Anti-exhibition |
23 | 340 | 3.5254 | kweer* |
23 | 349 | 3.5254 | Do you hear the silence? |
23 | 380 | 3.5254 | How I See Me: Popular Visual Culture from Afghanistan |
23 | 413 | 3.5254 | An(other) Domain |
23 | 455 | 3.5254 | Gender Scars |
24 | 225 | 3.5167 | Fragile Entanglements |
25 | 277 | 3.5085 | VIOLENCE AND TERRITORY |
26 | 287 | 3.5085 | Necessary Networks: Feminist Art Practices of 1970s New York |
26 | 295 | 3.5085 | No More Stolen Sisters |
26 | 308 | 3.5085 | The art of not being governed: Visual narratives on the Indo-Burma border |
26 | 332 | 3.5085 | Memoirs 2021: The Last Leaf |
26 | 335 | 3.5085 | BREAKING NEWS! |
26 | 353 | 3.5085 | Seeking Solidarity: Amplifying Workers' Voices |
26 | 459 | 3.5085 | Is there love in space? |
26 | 477 | 3.5085 | 30 Years Later |
27 | 263 | 3.4915 | The Re-Make |
27 | 389 | 3.4915 | What you are not is self-portrait |
27 | 450 | 3.4915 | Survival Tools for the Age of Ultra-Anxiety. |
27 | 488 | 3.4915 | It's Good to be Black on the Moon (Working Title) |
28 | 378 | 3.4746 | A Political Choreography in Three Living Rooms |
28 | 495 | 3.4746 | The Emperor's New Clothes |
29 | 199 | 3.4667 | Giving Birth |
29 | 298 | 3.4667 | Broken as Beautiful |
30 | 8 | 3.4576 | Abstract Chineseness - Chuang Che, Cheong Soo Pieng, Yang Chihung |
30 | 268 | 3.4576 | Saving Face |
30 | 344 | 3.4576 | Dentro - Fuera |
30 | 369 | 3.4576 | The Landscape of Crisis: How Contemporary Asian Art Visualizes a Time of Devastation |
30 | 442 | 3.4576 | Strange, Stranger, Strangest |
30 | 456 | 3.4576 | Halal brownies, haram desires |
30 | 490 | 3.4576 | The Errant Past |
30 | 515 | 3.4576 | The Border Crossed Us |
30 | 539 | 3.4576 | Dance Macabre |
31 | 333 | 3.45 | Blue Is Like Ocean: 7 Dreams |
31 | 397 | 3.45 | What's in a skin tone? |
32 | 208 | 3.4407 | HFZ |
32 | 209 | 3.4407 | It's only the end, darling! |
32 | 347 | 3.4407 | Murals.We remember. |
32 | 434 | 3.4407 | Permanent Protest: Blockchain and Art |
32 | 463 | 3.4407 | Getting Better - A Toolkit |
32 | 465 | 3.4407 | Past Future / Future Past |
32 | 485 | 3.4407 | The Dark Universe |
33 | 302 | 3.4237 | BALTROP/KNUCKLES/RIGGS: QUEER-BROTHER-ARTISTS-IN-RESILIENCE |
33 | 371 | 3.4237 | Incontinente (A tropical dream) |
33 | 414 | 3.4237 | Scapegoat |
33 | 482 | 3.4237 | HerStory/HairStory |
34 | 241 | 3.4068 | The Matchbox Story |
34 | 258 | 3.4068 | Recognizing the Accomplishments & the Herstory of the WORS Artists |
34 | 381 | 3.4068 | Books(h)elf |
34 | 423 | 3.4068 | Data Fatigue |
34 | 470 | 3.4068 | Amphibian Man |
34 | 484 | 3.4068 | Bow and Arrows |
34 | 496 | 3.4068 | (Re)framing the Landscape |
34 | 522 | 3.4068 | Mayan Futures |
35 | 184 | 3.4 | Essentials: Labor in the Food Industry from N.A.F.T.A. to the Pandemic |
35 | 188 | 3.4 | Imaginary Reality - Artificial Landscaping |
36 | 336 | 3.3898 | Sovereign Bodies |
36 | 421 | 3.3898 | CURARE |
36 | 453 | 3.3898 | What does the world want from us? |
37 | 325 | 3.3833 | Circular Ball |
37 | 435 | 3.3833 | (de)constructing |
38 | 13 | 3.3729 | As if Work Were Life |
38 | 324 | 3.3729 | Home Away: adapting to changes, building a sense of belonging, and how latin artists redefine, inter |
38 | 327 | 3.3729 | En Casa |
38 | 342 | 3.3729 | TODOS SOMOS INDIOS |
38 | 356 | 3.3729 | The Afterlife of a Day (Endless) |
38 | 361 | 3.3729 | The House as a Stage |
38 | 391 | 3.3729 | Transcending Territories 2020: Special Project, Learning Our Mother Language is Our Right |
38 | 473 | 3.3729 | Love and Other Impossible Pursuits |
38 | 507 | 3.3729 | CONTACT POINTS |
39 | 27 | 3.3559 | Oddball Saints, Heretic Artists: Radical interfaith exchanges in the Indian subcontinent |
39 | 291 | 3.3559 | As Geo-creatures |
39 | 341 | 3.3559 | Archive as Memorial: An Asian/Pacific American COVID-19 Public Memory Project |
39 | 424 | 3.3559 | Subaltern technologies |
39 | 433 | 3.3559 | Sutured Resilience |
39 | 500 | 3.3559 | The Alternative Art School: Inaugural Quarter Student Exhibition |
40 | 59 | 3.339 | The Overlooked Component |
40 | 216 | 3.339 | NATURAL SATELLITE: Interstellar message in a bottle |
40 | 251 | 3.339 | Nine Artists|Nine Months|Nine Perspectives: Birth of 2020 Visions |
40 | 260 | 3.339 | Renegade Monumentality: Demystifying Eurocentric Prerogatives and Gender Inequality |
40 | 272 | 3.339 | Bridge |
40 | 286 | 3.339 | Other Islands |
40 | 346 | 3.339 | SUMMON: Flowers, Herbs, and Emmenagogues |
40 | 395 | 3.339 | Otra vez el mar |
40 | 398 | 3.339 | Extra Sordid Site and The Tale of The World |
40 | 444 | 3.339 | CONTROL (Borders) |
40 | 462 | 3.339 | Nice to e-meet you |
40 | 504 | 3.339 | Terraforma |
40 | 528 | 3.339 | A cage or really adore |
41 | 280 | 3.322 | Transition zones: body, landscape and border. |
41 | 375 | 3.322 | strong, tender, tired |
41 | 388 | 3.322 | Migratory Us |
41 | 458 | 3.322 | Nine voices, two third of an island |
41 | 468 | 3.322 | Home is Where the _____ is |
41 | 469 | 3.322 | detritus dreams archive |
41 | 493 | 3.322 | Tinctures & Textures of Queer Joy |
41 | 521 | 3.322 | Migration: The Reality of the Virtual |
42 | 50 | 3.3051 | non-identity: we are not what they say |
42 | 235 | 3.3051 | Observations from the Now |
42 | 242 | 3.3051 | Four Chapters of British Class |
42 | 248 | 3.3051 | The Pandemic Lover in the age of revolution |
42 | 533 | 3.3051 | LIES MATTER |
43 | 221 | 3.2881 | THE SUN KISSING THE EARTH AND US |
43 | 273 | 3.2881 | From Zero to Infinity |
43 | 322 | 3.2881 | Room to let go |
43 | 337 | 3.2881 | Make-believe |
44 | 204 | 3.2712 | Body Do |
44 | 265 | 3.2712 | Bathhouse |
44 | 326 | 3.2712 | RIGHTS=RE-WRITES |
44 | 362 | 3.2712 | LET'S EAT!!: food as cultural sensitivity |
44 | 363 | 3.2712 | BLOSSOMING: FIELD DIARIES |
44 | 404 | 3.2712 | Fake It Till You Make It |
45 | 68 | 3.2542 | the lost bride in the broken dream |
45 | 301 | 3.2542 | Rising Out of Crisis: Life After Collapse |
45 | 339 | 3.2542 | Resist and Rebuild |
46 | 368 | 3.2373 | Island Earth |
46 | 384 | 3.2373 | Resilience of liberalism |
46 | 420 | 3.2373 | Wrecked Exotics |
47 | 89 | 3.2203 | Self and Others |
47 | 194 | 3.2203 | @daRoot: Collections from Queer Caribbeans & Queer Caribbean Americans |
47 | 296 | 3.2203 | SHIP TO WRECK |
47 | 502 | 3.2203 | The Triune Nation in Times of Separation |
47 | 511 | 3.2203 | Visual Atlas of the American Monster |
48 | 303 | 3.2034 | Free Fall |
48 | 436 | 3.2034 | necronomy: plants are people are plants |
49 | 131 | 3.1864 | Organic Metropolis |
49 | 408 | 3.1864 | Digital Immigrants |
50 | 151 | 3.1695 | Dintho - A New Science Fiction |
50 | 531 | 3.1695 | MEMORY DRAFTERS |
51 | 46 | 3.1296 | RESET THE APPARATUS! |
52 | 43 | 3.1277 | Placebo - Nocebo |
52 | 427 | 3.1277 | Rebel Objects: Excavating and Unpacking Trauma |
52 | 498 | 3.1277 | Labor: improvised, extravagant but not personal |
53 | 275 | 3.1273 | The Angel, Azrail |
54 | 38 | 3.125 | Revolting Flesh |
54 | 49 | 3.125 | Treatise |
54 | 98 | 3.125 | Perpetuating Colonialism: art, extraction, and the animal kingdom |
54 | 228 | 3.125 | Worked by hand, invented in the mind |
55 | 338 | 3.122 | Affiliate Links |
56 | 523 | 3.12 | Stigma |
57 | 190 | 3.119 | pandemic blues A REDRESS |
57 | 261 | 3.119 | CONTAIN YOUR FEAR |
57 | 282 | 3.119 | Digitally Banished by the Coronaviridae |
57 | 350 | 3.119 | Undoing: Our Gorgeous Paralysis' and Convivial Yawns |
57 | 393 | 3.119 | Fading Memories |
57 | 480 | 3.119 | [Work Title:The Eye-Catchers] |
58 | 524 | 3.1132 | Pearls B4 Swine |
58 | 239 | 3.1087 | Apogee |
59 | 230 | 3.1064 | Our Stadium |
60 | 229 | 3.1034 | At Risk |
60 | 405 | 3.1034 | Safe (â—) place. I don't know where I'm going because I've never been there. |
61 | 172 | 3.0976 | Non-existent |
62 | 255 | 3.0952 | Algorithmic Dreaming |
62 | 373 | 3.0952 | Hidden knowledge, forgotten languages |
63 | 461 | 3.093 | Pyr Pantechnos |
64 | 134 | 3.0714 | Revealing Masks |
65 | 288 | 3.0476 | Sui Generis: color of movement flesh of sound |
66 | 168 | 3.0294 | Essentials: Art and Community in Times of Covid |
66 | 206 | 3.0294 | Possible Futures |
66 | 304 | 3.0294 | PLOT |
66 | 401 | 3.0294 | The Agency of Material Things |
66 | 479 | 3.0294 | Hyperspectral Movements |
66 | 526 | 3.0294 | Scorched Earth (Working Title) |
67 | 10 | 3.0286 | Free to fly |
67 | 226 | 3.0286 | Verify Your Identity |
67 | 501 | 3.0286 | "Mexico land of passions" |
68 | 311 | 3.0278 | Chorophobia/Chorophilia |
68 | 443 | 3.0278 | Ghosts and Monsters |
69 | 156 | 3.0263 | Neo-Mexicanism thinking |
70 | 278 | 3.0256 | Void recognition |
71 | 445 | 3.025 | ACCULTURATION, MISCEGENATION AND SYNCRETISM |
72 | 491 | 3.0244 | Hypnos |
73 | 18 | 3 | Enter the Dragon |
73 | 217 | 3 | Context |
73 | 218 | 3 | Stigma, A Mark of Disgrace |
73 | 252 | 3 | Boomerang |
73 | 354 | 3 | The Poiesis of Composting |
73 | 390 | 3 | UNDER (VISUAL) ARREST: SURFACE, SEDUCTION AND THE SLOW REVEAL |
73 | 406 | 3 | The Body in Algorithms |
73 | 437 | 3 | Ctrl [Alt] Self ' |
73 | 447 | 3 | The Disruptors |
73 | 449 | 3 | Off-white |
73 | 527 | 3 | Garbagia: the future |
73 | 529 | 3 | R E D B E T W E E N T H E L I N E S : Six Portraits of Life & Art Under Quarantine |
74 | 232 | 2.9697 | Capitalist Neo-Realism |
74 | 334 | 2.9697 | Layers |
74 | 475 | 2.9697 | |
75 | 51 | 2.9688 | Imagining queer utopias |
75 | 289 | 2.9688 | The State of the Machine |
76 | 250 | 2.9677 | Habitability |
76 | 264 | 2.9677 | Mexico, Mexico rra rra rra! |
76 | 300 | 2.9677 | Socialism or Bust |
76 | 426 | 2.9677 | Tactic Terrain |
76 | 474 | 2.9677 | Fly in the New Sky |
76 | 483 | 2.9677 | VIVA CANALHA |
77 | 359 | 2.9375 | Poetic abstractions is what we need |
78 | 61 | 2.9355 | Psychopomp Sound Bath |
78 | 310 | 2.9355 | A Willing Intimacy |
78 | 313 | 2.9355 | Art will never die! |
78 | 452 | 2.9355 | In Transformation We Heal |
79 | 39 | 2.9063 | Omubiri SSI Kibbo (The Body is not a Basket) |
80 | 29 | 2.9032 | out the gap |
80 | 200 | 2.9032 | Cosmic Territories |
80 | 306 | 2.9032 | Resistance-19 |
80 | 407 | 2.9032 | Performing Faiths : Queerdom, Christianity, Womanhood |
80 | 487 | 2.9032 | But if I'm alive I'm strong/ as life / Strong as the violets |
81 | 22 | 2.871 | Ot |
81 | 403 | 2.871 | Self –Portrait of the Artist on the Block Staircase |
81 | 422 | 2.871 | Habitat |
82 | 138 | 2.8519 | MOTHER'S ROOM |
82 | 154 | 2.8519 | POSITIVE DICHOTOMY |
82 | 155 | 2.8519 | I, Object |
82 | 189 | 2.8519 | Chapters |
82 | 231 | 2.8519 | THE HUMAN BEYOND: bioart, installation art, and photography |
82 | 240 | 2.8519 | Conversation Starter |
82 | 243 | 2.8519 | The Grabbing Hands |
82 | 315 | 2.8519 | Not Really Strangers |
82 | 323 | 2.8519 | Liminality |
82 | 355 | 2.8519 | New Mundane -Nueva Cotidiana- |
82 | 417 | 2.8519 | Still our Bodies: Revisiting Reproductive Technologies |
82 | 446 | 2.8519 | Guns, Germs, and Steal: Postcolonialism From a Pandemic Perspective |
82 | 518 | 2.8519 | Mark Zuckerberg |
83 | 366 | 2.8333 | Tactual |
83 | 399 | 2.8333 | False Prophecies |
84 | 516 | 2.8276 | auricular intangible |
85 | 497 | 2.8214 | Above and Below: Coping Reservoirs |
86 | 55 | 2.8148 | I would prefer not to |
86 | 58 | 2.8148 | Something is Happening |
86 | 60 | 2.8148 | WINDOWS |
86 | 185 | 2.8148 | The Unconscious passport |
86 | 374 | 2.8148 | Counter-forensics: memories of present times |
87 | 367 | 2.8077 | CONTRAEDENIA |
88 | 279 | 2.7931 | Contaminated/Contain |
88 | 464 | 2.7931 | The Texture of Recollection |
89 | 6 | 2.7778 | Guerrero live |
89 | 213 | 2.7778 | Considerable strength |
89 | 305 | 2.7778 | Dignity |
89 | 352 | 2.7778 | 2020? |
89 | 448 | 2.7778 | Elemental Topologies |
89 | 466 | 2.7778 | Adhesion - augmented world |
89 | 510 | 2.7778 | After Life As Property |
90 | 385 | 2.75 | Maybe you're just not a thinking sapiens |
91 | 254 | 2.7407 | In Humanity |
91 | 481 | 2.7407 | ... identified by her ring, by her husband. |
91 | 519 | 2.7407 | A Kind of Animal |
92 | 202 | 2.7037 | A Thousand-Eyed Island |
92 | 246 | 2.7037 | Enhance your soul |
92 | 262 | 2.7037 | Wild and Wonderful |
92 | 269 | 2.7037 | Power&Paper |
92 | 365 | 2.7037 | The Gift and the Ledger |
93 | 207 | 2.6667 | ERRATIC |
93 | 267 | 2.6667 | Cultura: dentro y fuera del museo, yesterday and today |
93 | 307 | 2.6667 | More Reality with your fries? |
93 | 418 | 2.6667 | Whatever happened to the white working class? |
93 | 429 | 2.6667 | Slavic undertones in art |
93 | 457 | 2.6667 | THERE IS NO THERE, THERE |
93 | 460 | 2.6667 | Public Roots and Beaten Tracks |
94 | 37 | 2.6538 | Meraki |
95 | 69 | 2.6296 | “Common thread†|
95 | 136 | 2.6296 | Paths |
95 | 193 | 2.6296 | Symptoms |
95 | 317 | 2.6296 | Transmission from the street |
95 | 411 | 2.6296 | MAFA19 |
95 | 432 | 2.6296 | PERCEPTUAL DECONSTRUCTION |
95 | 499 | 2.6296 | Drawing the entrails of the machine: speculative past and unlikely devices |
95 | 509 | 2.6296 | Salsa Dancing in my Room: Home as a Resistance |
96 | 11 | 2.5926 | heterotopia |
96 | 17 | 2.5926 | Revelations |
96 | 82 | 2.5926 | UNDER CONSTRUCTION |
96 | 153 | 2.5926 | The Problem of Awe : Personal Mythologies, Uncertain Histories |
96 | 508 | 2.5926 | Recent History |
97 | 471 | 2.5556 | FF-20XXX |
98 | 23 | 2.5385 | ERUTAN NAMUH |
98 | 219 | 2.5385 | Only concerned with what is not mine: Colonial and Decolonial relations from a cannibal perspective |
99 | 281 | 2.5185 | The Hell |
100 | 383 | 2.5172 | Women want each other alive!! |
101 | 244 | 2.4815 | Alpha |
101 | 253 | 2.4815 | Allegories |
101 | 476 | 2.4815 | Trecento Workshop |
101 | 534 | 2.4815 | Interiors |
102 | 85 | 2.4444 | We Know Nothing About Everything |
102 | 191 | 2.4444 | SOS |
103 | 28 | 2.4074 | Without An Address |
103 | 357 | 2.4074 | Propositions for a Revolution |
103 | 467 | 2.4074 | Coming down from the pedestal of speciesism |
104 | 396 | 2.3929 | Art, Science and Technology in Post-Soviet perspective |
105 | 35 | 2.3704 | A polite fuck you to art school |
106 | 276 | 2.3333 | Science of art or ancestral science |
107 | 132 | 2.2593 | Roots |
107 | 196 | 2.2593 | rostrum. the hospitality of the drawing. |
107 | 292 | 2.2593 | Flush Away |
107 | 440 | 2.2593 | Infinite |
108 | 70 | 2.2222 | Pop up! |
108 | 137 | 2.2222 | NDN Unorthodox Symmetry |
108 | 387 | 2.2222 | REVISION |
108 | 520 | 2.2222 | salvation trip |
109 | 486 | 2.1852 | watching |
110 | 48 | 2.1481 | Flowers of Time |
110 | 494 | 2.1481 | Sprechstimmen 2021 |
111 | 428 | 2.1111 | Let's meet up! |
112 | 234 | 2.0741 | my proposal, working title, urban naive art |
112 | 256 | 2.0741 | Bird Island |
112 | 425 | 2.0741 | eternal vision |
113 | 321 | 2.037 | Patience. Look twice. |
113 | 377 | 2.037 | HOPE |
114 | 532 | 1.963 | What's for Lunch? |
115 | 412 | 1.9259 | Hair that defies gravity...Skin that absorbs the sun... |
116 | 143 | 1.8889 | Effects of abuse |
117 | 247 | 1.8148 | Skinsoul |
118 | 41 | 1.7407 | nighty (infrared art) visions |
119 | 257 | 1.6667 | The inner journey |